A metaphor of "Tao and Shu", an allegory of "Phoenix Nirvana"

Dolly 2022-04-23 07:05:00

How do you view traditional culture? How do you view new things? How do you view the development of people's personalities? How do you view the collective honor? How do you view modern history? How do you view inheritance? How to live? How to study and work?

It's always a clichéd plot, but not every film like this can convey the filmmakers' thoughts on these issues. I think that Feng Delun still did it to a certain extent.

I used to be very proud of my linear thinking: moving in a straight line, no matter what else, I can never force myself to do what others like. But after experiencing some things, I realized that everything has its own laws, and the process of barbaric evolution to civilization is the mastery and application of laws. The depth of seeing and thinking is the strength with which we penetrate into nature.

I once thought that things like Tai Chi and Yin and Yang depend too much on regularity and application, and lack their own thickness. Just like our modern history: the Chinese people who have developed into modern times have mastered these laws so well that they have forgotten that only if they have a certain thickness can they better control these laws, because the disturbance of laws that are not mastered often makes Our calculations fell short. So we have suffered in modern times.

But the "Big Brother's Counterattack" appeared in the play, and the head of the sect unabashedly uttered the four words "Fantastic Skills". After his son "Tianweiyi" showed his power, he accepted his son's rebellion. We should allow these variations, the development of these free personalities, without compromising the collective beliefs.

Fortunately, the feminine Chinese have finally become masculine. Originally, "be gentle and gentle, and then a gentleman" should be our belief.


When you're done with what you want to say, spit it out.

1. Regarding the situation where the final fight and cooking are carried out at the same time, is it a response to "A Bite of China"? Although Chinese food contains all the Taos of China, it can't be like that.

2. The rhythm is too fast in some places, such as Fang Daotai's mental journey, Yu Niang's transformation (to be a woman who pleases himself with a slap in the face of scrap metal? Although it is to show that this fool Yang is a genius, then It can't be so effective!)

3. The name "Tianweiyi" was well-received, and it reminded me of "Those who commit a great Han Tianwei will be punished even if they are far away."

4. Master Li. It feels like the image of a traditional master, the most intelligent person in this nation who has been looking for an agent, and winning him is to gain the approval of the national elite of the civil service group behind him.

5. The Prince of Alcohol? Could it be a positive character? Don't you scold Daqing?


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