The title of the film is Tai Chi, but it says the imperial palace at the beginning, which almost made me think I got it wrong. Of course, that doesn't matter. The whole film is divided into "palace scene" and "country scene" (non-professional, no terminology, sorry), the era is the period when Westerners invaded China in the late Qing Dynasty and brought strong ships and cannons to wake up the Chinese. The picture is suddenly filled with Qing Dynasty official uniforms and Western advanced machinery, and suddenly it is a peaceful scene of rural scenery. But the two worlds are connected by a trace of relationship between the eldest brother Chen Zaiyang and Fang Zijing in the film. The picture is jumpy but not abrupt, and it makes people eager to know how the two lines meet in the back. Expression technique (let's call it that) The film describes a turbulent era, the collision of traditional kung fu and advanced industry, and aims to carry forward Chinese traditions. Under such a serious theme, the producer boldly added a sense of joy to some pictures
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