Liang's "The Legend of the White-Haired Witches" has not been read yet, but it must not be mediocre who can always be active on the screen. Since the 1980s, "The Legend of the White-Haired Witch" has been adapted into 5 TV series, and 4 new movies have been released. Among them, the one I couldn't put down the most was Sister Qingxia's version. For me, the post-95s and pre-80s versions are still ugly due to the large differences in shooting techniques and aesthetic tendencies. As for the versions of Ma Su and Fan Bingbing, I personally feel that it is more difficult to accept than the 59 version.
After watching the whole movie, the two protagonists continue to bring surprises. From the uninhibited and slightly enchanting smile of my brother when the adult Zhuo Yihang appeared, I was already addicted. Sister Qingxia was a question when I was a child. At that time, when adults watched Dongfang Invincible and Six Fingers Demon on TV, I felt that Qingxia was really not beautiful, her bushy eyebrows were not as cute and gentle as the mainstream at that time, and her expression was always as cold as ice. Shuang, the characters played also have entangled emotions that I can't understand. The realm of "from love to sorrow, from love to fear" is a point that I have always struggled to comprehend and a knot that cannot be untied. Now the mind is more mature than it was at the time, the screen and reality are combined, and I have gradually begun to understand the subtleties and delicacy of emotions, the bitterness is difficult to clear, the cutting is constantly, and the rationale is still chaotic, but it is so naturally generated, changed, and perished, so that again When reciting it, who can tell right from wrong, and who dares to imagine what it would have been like at the beginning.
Zhuo Yihang and Lian Nishang's emotional development path is also logical, but there is one place that I think is a bit abrupt. I just peeked at you taking a bath. Why did you see Zhuo Yihang when you said you were going to kill the eight factions in the Central Plains? In just such a short period of time, the feelings will not be so deep. . . (So you still have to read the original book before watching the movie, and the plot and emotions must be straightened out). But I want to say that at my age, apart from the love between the male and female protagonists, what I remember most is Ji Wushuang played by Wu Zhenyu (forgive me for confusing Wu Zhenyu and Wu Yusen before...), I don't like this kind of morbid love, but I feel worried. In the Hong Kong movies that I have seen in my life, it seems that all the sect leaders are not normal people. The leader of the moon worship, Dongfang Invincible, Ji Wushuang, the leaders are probably people with "special talents". In short, the ending of the leader is not good . He has an unforgettable love for the wolf girl. Once the love penetrates into the bones, it is easy to produce various physical and chemical reactions, it is easy to deteriorate, it is easy to explode, it is easy to hurt internally, and it is easy to hurt others. What's more, this kind of wishful thinking was fruitless in itself, he just kept torturing himself. Recalling the expressions on his face when he and his sister, whose laughter and thoughts were very perverted and annoying, were hanged by the Wudang disciples in Ziyang, it was humiliation, hatred, helplessness, and heart-wrenching pain. Likes are innate and difficult to change from the root. It's not their fault that they like cult martial arts (I don't think it's right here, did I misunderstand again, the original book should have an explanation), his sister just cried and cried. cry. From the beginning to the end of the film, what I saw was not his arrogance and viciousness as the leader of the demon sect, but his disgust for himself from physical to psychological, and the bitterness of humiliation and humbleness for love. Until the last sentence at the end, "I didn't expect it to be really comfortable to sleep like this", I felt really uncomfortable. What kind of tragic and sad this is.
In short, love is something that is hard to say or not. Novels and the screen can be the audience's talk after dinner, or they can be collections that people who have a heart to understand and cherish their feelings. And time should be the most insignificant thing, for love, or classics.
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