This is half a rare domestic animation conscience drama - at least, I think so.
Because, in this film, I seem to have seen domestic cartoons in a pure sense—cartoon films created based on the concept of children’s film viewing and truly suitable for children to watch—and finally ignited hope.
Although some people want to protest loudly, remind me not to forget the previous "three big" domestic animations ("The Return of the Great Sage", "Big Fish and Begonia" and "The Great Protector"), I think that is the new rise of cartoons with Chinese characteristics. But I'm still willing to stick to my opinion, just because the audience (or the main target group) for the "Big Three" is not children at all, but adults.
There is no need to illustrate this point, just count the heads of people who swiped tickets after the release and it is clear at a glance. This point alone does not belong to the same category and sequence as the "domestic animation in a pure sense" that I talked about.
The reason why I think "Mama Duck Duck" is good is that it is based on a relatively reliable script, and it has matured to a great extent at the technical level, and it is as full and delicate as possible in the depiction of the characters.
And why half?
What should I say? ! Because strictly speaking, this movie is not actually made in China, but a co-production between China and the United States. It is precisely because of this that I am even more looking forward to (and deeply believe) that the day when a truly high-quality cartoon that is 100% made in China will be released (it will) come sooner.
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