This is all the key words after watching this movie alone at home. The rhythm of the movie is slow and the Korean style is consistent, especially the romance. I prefer the design and echo of some small details of the director or screenwriter, as well as the constant comparison between memory and reality. The two pairs of actors are actually not very similar, but this shows that time is a sharp tool for polishing, and time is enough to change a person's appearance in your heart. When she was young, men chased women, and when she was older, women chased men; she used to be dull and shy, but now she is pragmatic and poisonous, and she even has English words in her mouth; the heroine has changed to be more mature and beautiful, but when she is an adult, she wears more clothes. Black, but red and colorful when she was young, she is naughty and loves to tease the hero, and at the same time, like the hero, she carefully tests whether her first love is going well. When she was a child, she wanted to escape from Jeju Island and longed for Seoul; after the divorce, she had the feeling of returning to her hometown as if she had fallen back to her roots. In the small basement, there are glass windows with curtains, and the curtains are hung by the hero; a few years later, in the renovated house, the heroine's bedroom, a large wall is made of foldable sliding glass windows, which open to the sea. , was designed by the male protagonist according to the girl's dream back then, and he pushed it away himself and looked out the window...
I have to admit that Koreans make warm films with simple methods, but they can always capture the softness that touches people's hearts, no matter how cruel the reality is , it can bring you into the non-reality and non-material space to burst into tears, and then quietly move in your heart for a while.
The normal part of this film is that the ending is designed in the mode of "you go your way", and both parties are walking the way of normal people, which is true and resonates with the audience even more.
"Whose first love we are all" is said to be the words on the poster, and it is estimated that many people will fall into memory and become imaginative. The place where marriage is never better than first love may be because of the past, perhaps because of purity, perhaps because of the first time, perhaps because of simple and primitive desires but not being controlled by desires. First love is praised, remembered, beautiful, but cruel, destroyed, forgotten, obliterated, blown away in the sea breeze, just like the "Study of Memories", like the one that is broken and can't be repaired again corner of the iron gate. Therefore, this poster slogan points out the core of the movie. Memories are the beginning of spiritual derailment, a rest under the hardship of reality, and the origin of fulfilling a long-cherished wish but ending the knot.
I really appreciate the actor's final approach, mailing the CD to the master, and leaving the shoulders to the fiancee to rely on. (Although this fiancee is not very popular, she looks far worse than the heroine. Wouldn't it be more playful if you choose a more pleasant actor?) The heroine is also very calm, and she lives with her father calmly. In my old house, I start a new life calmly, no longer let myself be like a bowl of spicy soup, nothing but spicy. She continued to play the piano as I thought, teaching children how to play the piano. At this time, she has completely overcome her inferiority complex, and only by living her own life can she not become a "spicy soup", even if it is light, as long as it is her own and what she wants, it is very beautiful. She escaped from Seoul, returned to Jeju Island, returned to the countryside, the seaside, and re-breathed the familiar air of freedom before she could know herself. And all of this came at the cost of youth, failed marriages, and alimony. I like the way the male lead solves things, but I appreciate the way the female lead chooses to live. Her future is quieter, calmer and more beautiful than his.
Perhaps, the beginning of regret is just because we want to pursue too much, just like what we often encourage our children to strive for. In fact, the simpler it is, the more real it is, and the more real it is, the more authentic it is. Written here, it seems that this film is not just about first love and cheating.
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