"Love and Monsters" The horror atmosphere of the doomsday has not been deliberately created. The dangers of the earth world are conveyed in the lens of the monster's living environment. Mainly love, but not sensational. Friendship and family affection are independent chapters. Love is a clue that runs through the trajectory of action, but it is a broken relationship. Media communication without meeting for a long time is deceptive and often creates beautiful misunderstandings. It is not easy to maintain feelings. Appreciate the heroine, do not stay when parting, be independent and responsible after leaving, bear the demise of a new "mean a lot to me" person, like the profile of the heroine's last picture, which is sharp and angular. Daguai plot, the narrative rhythm is compact, not procrastinating, but follows a fixed routine and structure. The monsters in front hit easily, and the last crab monster was actually purified. I didn't expect it. I remembered the magical soldier who was watching in front of the TV when I was a child... Wentian’s sister stretched out her hand to purify the mutant. Weird, when the ending song is over, I should go to bed too. As the Crab Monster is purified, the film's inspirational color suddenly increases, and it suddenly becomes the energy output of young people "on the road", which is a bit fascinating. "Don't settle. You don't have to. Not even at the end of the world." This sentence is still good, if I can, I also want to be a "Don't settle" person, be more brave , Be less inertia, and get out of the underground world.
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