I watched it at one o'clock in the morning, and the bgm really oozes to death. The whole film is about ghosts hitting the wall (time), the ghost hitting the wall (space), fatalism, cost theory, and the meaning of exchanging countless hells for one heaven. An accident, the death of a person, 70 years of endless torture. How many times before the road hamster boy Danel had such reincarnations, as can be seen from his stepfather, who at this point was also a "child" who had been floating on a raft for thirty-five years. There are countless endless loops like this. After Danel got into the police car, he instantly forgot the 35 years he had experienced before. There was a trance process in the middle, and there was a big explosion that was not written. The age of 35 is a symbol with a metaphor. Life is 70 years old. Before 35 is the rising young adult period, and the last 35 years is the declining aging period. In this alien space, the contrast between the young and the old is also obvious. The old are all in Living in a debauchery, the ground is full of rubbish and unkempt; young people are all exercising, and their work and rest are very self-disciplined. This happens to correspond to the fact that people in "reality" tend to thrive in their teenage years, and when they are old, they drink, smoke, visit prostitutes and gamble. It is said that it corresponds to real life. We live in hell to create paradise for real people. ——If so, then this show is only worth two to three stars, why did I give five stars in the end, because besides it is really scary, beautiful, exciting, and the narrative is good, I prefer to understand the philosophy behind it It is a kind of religious causality. The reason why we can live happily is exchanged by the depravity and despair of countless souls. Happiness is all exchanged by the other self of countless parallel worlds. Every time we pass a frame A little hell will be born, and the most beautiful heaven is built on the most desperate experience. The characters are understood as people who "exist" in the pseudo-reality, and the big bang is seen as an exaggerated metaphor for a small accident (but it becomes "real" when projected in a source code reality). A happy life that you can't get - it's really a dark fairy tale, really, this kind of bubble fantasy happiness is too dark and dark, although I think the first explanation is more in line with the original intention and original intention of the film, but I will I prefer the second idea. The reason why I thought of this idea should be derived from some kind of native Mexican philosophy that I don’t know where to see, similar to the reciprocal price of good and evil and the reciprocity of gain. I can study it if I have the opportunity, but I can’t express it right now. .
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