The whole movie is completed in one go. From the original book and Huayi's leading Huadan, the young and middle-aged young people all show their magical powers. It can be said that the watching can be described as incisively and vividly. Even some of the later preaching plots have become not blunt and heart-warming.
Zhou Xun, in fact, Zhou Xun must be the protagonist. Her acting skills can rely on one look to steal the show, so from the beginning, I felt that even if she was not an old ghost, she would definitely not be an ordinary character.
It's just that in the mid-term, her family is so rich, why bother?
Could it be that all desires are satisfied and the quest for revolution begins? Is this the female version of Shakyamuni and Gandhi?
Li Bingbing, her acting skills are not outstanding, but her role is very suitable for her. Maybe she does not have Zhou Xun's spirituality, but her acting skills from a professional background make her quite satisfactory. But they were buried in a department with 5 people, and the three had a hard relationship, and they deciphered the code by themselves, so they "abandoned the darkness and turned to the light"?
When she was the only one who knew the technology of deciphering passwords, I also had some doubts. There are many such people, who have a knife in business, but do not understand the two sides of the world, so I ruled them out.
Yingda, his role is the epitome of some kind of leadership in almost all units, and he is also very clear that he can only be promoted by stalking the horse, and he will never give up glory and wealth for the sake of "revolution".
Su Youpeng, laughing point, the people who are running four are very good at acting and have made great breakthroughs. Although there are not many scenes, they are also clown-like characters in every unit. Their existence is just an embellishment and cannot be a threat, because even he I don't want to be promoted.
Zhang Hanyu and Huayi also have TVB models from the beginning. When you see the lineup, the importance of the roles is already clear. When I got to the rape scene in the house, I already knew they must be together.
During the stage of singing on the balcony, when Zhou Xun said that she was from Tangshan, she had already kept an eye on her. She was a rich family daughter, and she must not have been born in the north.
Huang Xiaoming, I've always been immune to Huang Xiaoming, I don't like it, I think his acting is not a breakthrough, it's a bit blunt.
One of the two versions of Xiao Jian shakes a scene, the other is the starring role,
Wang Zhiwen in heaven and earth,
Wu Gang, the old drama bone, there are not many scenes, but
Duan Yihong is in place. After a few scenes,
Liu Weiwei was shot in the head. That scene was really bitten by a dog. Bloody, no role to play, the
same Wang Jingwei National Government, the same spy and anti-espionage war, emphasizing that under the national interest, the love of children and even life is less important than belief.
If Li Bingbing or Zhou Xun decides to give up the revolution because of someone they love, like Wang Jiazhi, Wang Jiazhi and her companions will die happily without too much torture.
The so-called "kill me without saying" I won't kill you, it will only make your life worse than death.
After watching the whole play, the biggest feeling is, why did they assassinate Duan Yihong? Does assassinating him work? In the end, the fundamental reason for the surrender of the Japanese army had nothing to do with these. Does it make sense to kill a few machines that serve the government?
It's like Wang Jiazhi and the others, but they wanted to die for the revolution when they randomly rehearsed the show at the university, but they missed it for life.
It is not brute force that the country survives, but the tacit understanding of faith and intelligence between the old gun and the old ghost.
I haven't watched many of Chen Guofu's movies, but what impressed me the most is that the name Jin Shenghuo in "Double Eyes" is very similar to Huang Huotu, right? He seems to like hexagrams.
His films are very artistic, not relying on visuals but psychological oppression. I always feel that Huang Xiaoming's body theory is from Chen Guofu's mouth
, and there are a lot of passionate scenes as selling points, and most of the clips edited by Fengsheng are also A collection of torture, but I think many details are handled very well.
For example, Zhou Xun's eyes when he has been sewing clothes. At the end of the film, Li Bingbing stands in the sun and looks back at Zhou Xun. Only Zhou Xun can express so much content with one look.
And Tang Wei is really lacking. Lust and Caution are better than the director, the plot, and the pomp.
The wind is slightly better in Zhou Xun's fine-tuning of details, the ups and downs of the plot are just right, and the belief that permeates it.
In addition, when some people have been dissatisfied with the treatment of the red aristocrats, watch this movie, Zhang Hanyu, who survived the severe torture and torture that very people can bear, still maintains his faith, three months later, he sat in the state-equipped In the special car, there were three gunshot wounds on his body. What's wrong with his children and grandchildren being treated more than ordinary people?
He endured a suffering that no one could bear by himself, and almost died.
What is lacking is: Zhou Xun, a rich girl, did not write about why he voted for the Communist Party, probably because the space is limited.
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