Playing tricks like "who is the murderer" in a closed space is of course not new, but as long as you follow the genre film routines and pay attention to the details, this "not new" will not be too bad, and it will be possible to get a breakthrough. For "The Sound of the Wind", although the breakthrough may not be possible, the details are already good, the plot is compact, the atmosphere is in place, the beginning and the transition are strictly adhered to, and the photography and editing are ingenious but also quite thoughtful. The puzzle solving is not very clever, even a bit blunt and rough, but it has become less important. Of course, Yingda and Su Youpeng were a little too far-fetched, and the remaining three had been entangled for too long, almost making people lose their patience for guessing.
SM, no, it was the sentence of torture that was hyped up. In fact, only Zhang Hanyu was more intense.
Ye Jintian's art is well done. Of course, for me, the biggest highlight of "The Sound of the Wind" is to make Li Bingbing and Huang Xiaoming, who I don't even like, actually less annoying, while Wang Zhiwen still stole some of the scenes.
Speaking of the main melody, the main melody can always cover up violence and various so-called inaccuracies. Therefore, no matter how far "The Wind" goes, it will not be of greater significance to the scale of domestic films. It may be able to show one thing. That is to try to make a commercial film different, to show yourself as much as possible during the process, and the effect may not be better than the standard type.
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