The expectation for this movie is not as good as all the expectations for Bai Xiaonian played by Su Youpeng. What makes people feel excited in the trailer is that Bai Xiaonian is enchanting in the dark room with the dazzling white light with the orchid pointing up. Turning around, there were a few lonely singing voices in the rotation. And it was just this scene that brought me to start the movie. The texture of the film has a strong taste of old Shanghai, and even the few cheongsams of Zhou Xun and Li Bingbing are hidden in the heavy tones. The gloomy apartment is like a cemetery where dead bodies are buried, and the empty but full of ambush halls constantly echoes the sound of men and women's shoes falling to the ground. Cold metal equipment, dirty pools, floors that can't see the color, in a world where day and night are indistinguishable, all make people's nerves continue to fear. This is a story destined for bloody sacrifice. After the film enters the theme, it spares no effort to render a panic-stricken atmosphere. Both the picture and the sound are trying to achieve this effect. It's just that the fear in people's heart is sometimes not just a visual impact and a psychological hint about the outside world. The greatest fear in people's hearts often comes from the inability to control the unknown, the inability to understand their own destiny, and the distrust of everything. What's more, in such an extraordinary place, in such an era when everyone is in danger. But after everyone entered that seemingly endless hell, when it became clear that what the enemy wanted might be human life, everyone's reaction was much calmer than the expected effect. After their initial senseless resistance, they didn't seem to feel the unusual dangerous atmosphere around them, and they didn't have any self-consciousness for fish. The fear in the bottom of my heart did not make the people in the deep whirlpool bring too much excitement to the viewers. After they knew the cruelty of their fate, they showed a calm face, which made the tone of the film slowly begin to blur. I thought that such a few people would come together and put on a wonderful show, and the audience would also get the enjoyment of reasoning and guessing in their push and refusal. However, the interaction of several people is pitiful, and what can spark sparks is sporadic light, which is fleeting. In the film, a rival scene between Su Youpeng and Yingda, which was very intense, was just a small unrestrained shrewish scolding in the movie. Not as sharp as expected, nor as exciting as expected. And the two female characters in the play cherish each other in the play and support each other to come. But in such an environment, in a plot without too much foreshadowing, everything seems more sensational and less credible. this electricity The release of the movie has some shadows of the movie version of the spy war drama. However, as a spy war drama, the plot is tight, and the interlocking of which the audience is nervous all the time has slackened a lot in this film. People should try their best to guess who the old ghost is, they should all be suspicious of each other, and lead the audience to guess who the old ghost is. However, it seems that only when it is time to be executed will everyone want to look for the old ghost among them. In the process of film development, people are just excluding them one by one with Takeda, and they are passively accepting the facts that arrive one after another. There was no repetition, no twists and turns, and it went smoothly for Takeda to chuckle to himself. And Zhou Xun deliberately or unintentionally mentioned the "rumor" of "I know who the old ghost" is, and then more or less put some smoke bombs in front of people. There are many characters in the film, and it will be difficult to describe each of them in detail. And almost all the actions and languages of each character have to serve all the development of the plot. It is difficult to enrich the characters. But for a movie, the fullness of the characters themselves often increases the appeal of the movie itself, and also helps the audience to understand and deepen the movie. However, the settings of a few little people who I thought would be brilliant, did not leave some deep impressions. The role played by Yingda is obviously a typical small person who is greedy for life and fear of death. In such a chess game where life receives life, he may be just a chess piece, but if it is handled properly, his little person's heart and secular ideas If he can express it thoroughly, his influence will not be less than that of Takeda. Then his value may not be just so anxious to use a bullet to end everything for himself. Bai Xiaonian saw him in the trailer and thought he would be the biggest highlight of the film. Because his image is too special, it is easy to form a contrast. This contrast is not only the comparison of the character himself with other characters, but perhaps more meaningful is his understanding of his own image and the contrasting understanding he has made. The existence of his identity in that era was very abrupt, alternating old and new contradictions, full of unexplainable doubts. When he faced the biggest crisis in his life, his reaction should be the most special, but there was only a terrifying scream. Su Youpeng said in an interview that he had a scene that he sang, but it was deleted. There is some regret between the words, perhaps there are some viewers who should regret it! The most exciting part of the film is probably the last ten minutes. All the answers, all the inferences, all the truths, all the emotions, all the themes are vented in the final. When Zhang Hanyu shed tears at the end,
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