Black heavy taste theme blockbuster

I went to the cinema to watch "The Sound of the Wind" a while ago, and felt that apart from the fact that the film was abruptly elevated into a "black heavy-duty entertainment and commercial theme blockbuster" at the end, it felt like it was forcibly fed into a fly. This movie is still pretty good. Of course, you can also say that this is because the top is pressed too tightly, so the "artist" who is pressed down has to cooperate with it - it's just that the movements and sounds of this cooperation are somewhat humanized. Now, this is supposed to be the progress of the times. You must know that the "art workers" in the past were pressed more tightly than they are now, but they were only allowed to lip-synch. For many people, in bed The most unbearable thing is the kind of bed-cry that feels so fake when you hear it. But under some pressure, Chinese "art workers" have been lip-synching for decades. Of course, in China it's not just "art workers" who have to lip-synch, we as Chinese "people" often need to lip-synch very hard on certain occasions, and we have learned the most and learned the most from childhood to university. It's fake singing.
Fortunately, the times have improved a little, of course, there may be another reason, that is, the above is also a little tired of lip-synching, and now what they want to hear is what sounds like a moan from the heart, so the Chinese "Art Workers" keep pace with the times, and in recent years, they have produced many works of theme art that look very human, and "The Sound of Wind" is definitely the top work in this category.
In "The Wind," you get the noir comic book-style graphics and noir video-style cuts that are often seen in the latest Western noir films -- all in all, the movie looks pretty dark. Of course, you can't expect a "60th National Day tribute blockbuster" to be as dark as a western noir cult movie, but fortunately, from the other side of the film, its entertainment business side , the movie is basically dark enough to look good, although it's a little too dark.
Just because "The Wind" looks quite black, it looks quite human. Maybe it's because the color of human nature is originally black?
In China, starting from elementary school, we are taught to abandon the dark side of human nature and fully develop the bright side of human nature; we are taught to be unselfish and to benefit others exclusively; newcomer. However, why are we so easily "corrupted" by the seemingly vulgar Hong Kong and Taiwan movies and Hong Kong and Taiwan pop music? We may also be corrupted by Western commercial and art films, as well as Western pop, rock, folk, metal, extreme metal, and more. But is that really a "corruption"? Why do we feel like a new life with this "corruption". Of course, some people may say that it is because of popular culture in Hong Kong, Taiwan and Western culture that you young people are crying all day about being empty, lonely or miserable - but the question is, isn't emptiness, loneliness and misery? Is life as it is? Without these experiences, all the pleasures we desire would become water without source, just as there would be no source of light without darkness.
Maybe someone will teach me a lesson after reading my above point of view: "You are a foreigner, don't you know that the realm and level of Eastern civilization is much higher than that of Western civilization?" To be honest, I have been subjected to similar I am confused by the viewpoint, because I see that many great Western thinkers, great philosophers, great artists and so on criticize Western civilization all day long and say that only Eastern civilization can save the world. But later, after reading some related books, I became more and more suspicious that the so-called brilliance and dazzlingness of ancient Chinese "spiritual civilization" came at the expense of the poverty, ignorance and weakness of countless "common people". In the legend of the most prosperous "Kangqian Prosperity", most Chinese people, especially Chinese peasants, lived with no dignity and extreme poverty. Indeed, for the vested interests in ancient Chinese society, of course, Confucian culture is a good thing, something worthy of inheritance from generation to generation, because these things help to maintain their wives and concubines in groups, maids like clouds, and Zhumen wine and meat. The stinky and extravagant life is just for those "common people" who may become "frozen to death" every winter, Confucian culture is a culture of cannibalism.
Recently, I read this scholar's criticism of Confucian culture in Chen Zhiwu's "Logic of Finance", and he said something that impressed me deeply: "The hierarchical structure defined not by individual rights but by names does make Chinese society has remained basically unchanged for 2,500 years (except for the change of dynasties), but this culture has also castrated the Chinese personality and our creativity. The structure of castrated personality may be stable, but at the cost of China's long-term Between food and hunger."
How do we get back our castrated individuality and creativity? For a nation, this is undoubtedly a huge cultural project, especially under the background that the current education system still habitually or purposefully continues to castrate the personality and creativity of Chinese children. Most Chinese people have individuality and creativity to live is probably not something that can be done in the next hundred years. Fortunately, as individuals, we can regain individuality and creativity through incredibly difficult personal endeavors—and if you do, you can say to yourself in the mirror one day in the future: You know someone who How difficult is it for China to live like a human being, to live with personality and creativity? Fortunately, you did it.

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