The exaggerated momentum at the beginning and the noise of the audience on the left made me a little restless. When Zhou Xun and Li Bingbing were in the dance hall, each wearing a cheongsam with fragrant clouds, I couldn't help but feel happy, and my heart was settled. One pattern is a rust red rose with scattered branches and leaves, and the other is a bamboo leaf and pine needle ice cracking of the same color. The former is gentle and coquettish, while the latter is restrained and destructive, which perfectly matches the very tense temperament expression in the two of them. For example, before there is warmth in the world, there must be coldness first. The intersection of cold and heat is the suddenness that this branch shoots out of the dark.
Basically, the only color of the two in this film is this cheongsam, and the occasional appearance is the plain lace-trimmed silk petticoat when Zhou and Li were alone. The lines are crisp, flowing on the two exquisite figures, and every wrinkle is appropriate and expressive.
During the conversation, Zhou Xun was sewing non-stop, and she said softly that she was treating her as her sister. Li Ting was half-truth. It was not until the end of the story that she realized the reason why she gave up too many to die. She went to the cliff with all her might, because of her great love. She is no longer her own, so how can she be her own master? In front of what everyone has to hold on to, everything else has to stop.
Is there anything colder than this? How could she not understand? The shudder she realized when she decided to kill herself was just like the cold and hard background of the torture room in the film where sewage was poured on the cement. Sentient beings are poised but destined to be contained but not released. Whether they know it or not, review them from time to time to resist the cold and keep warm. If they don’t want to lose their hands again, the temperature they retain will become thinner and thinner. I knew that the years are long and the green shirt is thin and steep. Look at the ice cracks on the cheongsam, is it both mechanically organized and gloomy and messy. Look at the rose twigs and buds on it, are they blooming far from full bloom, and they are destined to never be in full bloom again.
Baidu Zhi, Xiangyun yarn, also known as yam yarn, commonly known as ranunculus silk, cloud yarn, whose real name is "Xiangyun yarn", is a kind of mulberry silk fabric dipped with the juice of the unique plant yam in Guangdong, and then dyed with the rich and unique richness of the Pearl River Delta region. An expensive gauze product made of sun-dried river silt covered with various minerals. Because of the "rustling" noise when walking while wearing it, it was originally called "Xiangyunsha", and later generations called it "Xiangyunsha" with a homonym.
Although the color of Xiangyunsha is extremely elegant, it is very picky, and only fair skin can handle it. The darker the top, the more prominent the red, white and pretty face. In the end, there is another way. It is ready-made by Shitai. The black fragrant cloud gauze is equipped with brown dark flower homogeneous trousers, a pair of embroidered slippers on the feet, a thick twist braided side braid, and the hand must be a white ginger flower. , inserted into a crystal bottle with a slender bell mouth. A lively picture of a lazy beauty sleeping. If there are a pair of arms with appropriate thickness and jade bracelets with a clanging sound, and there is a blue tear mole on the top of the face, it can turn all living beings upside down.
When I think of the style I talked to YM that day, the most important thing is to be straightforward. For example, the lightness of the fragrant cloud yarn is much better than the thickness of the brocade, and the luster is restrained to match the master's brilliance. The goodness of the cheongsam is not only in the waist, but also in the length of the side seam and the half-shadow between the movement. For example, the edge of lace and hemp yarn is the flesh color under the thick and thin fancy cover. The master is indifferent and unreasonable, and the moving point is that he is out of common sense and has just the right rhythm. The masters talk about love and hook up, but the charm is only the gap between the close-up tricks. In the picture, it is said that the ink is strong and freehand is left blank. It's "when you see that you are very romantic, come to be a graceful girl".
The overlapping of the seasons also happens to correspond to this film. After the cold dew, the warmth is about to lose its momentum, and the cold current invades. Despite the appearance of a big sun, yesterday I regretfully threw the grasshopper with its cage into the trash can. At the end of this season, it was clamoring loudly. Simply at the end of each season, I did the opening of the next season. Last words, just like the stitches in the stitches are a metaphor for the warmth inside. Let me know that although another season wanders not far away, it is destined to face it again.
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