The opening 15 minutes of the film is simply a condensed "snatch". No matter the camera cut, the script setting or the actor's performance, Ning Hao is like paying tribute to Guy Ritchie. After knowing it, I was a little worried, worried that the imitation of the film was too heavy and it would lose its own flavor. Then, all the worries disappeared in the next hour of watching the movie, and laughter and admiration became the main theme.
When I was young, I saw a French comedy "It's a Coincidence". The whole film took place in two rooms in a building. In just one day, the stories spliced together by various coincidences created a comedy classic. In "Crazy Stone", the use of coincidence has also reached a peak. The relationship between various people is cleverly designed. The director deliberately allows everyone to form an intersection with others more or less, and then cleverly use the intersection between The relationship formed new development clues, such as the "Don't touch me" (BMW) car, which became a very critical prop throughout, and even a Coke bottle used to deceive eventually became an opportunity to solve the case. Various contradictory coincidences and complex character relationships make the film intriguing and climaxing. Except for some redundant scenes, the whole film has a clear rhythm and is completed in one go.
Crazy movies brought me crazy happiness, when I saw that the little thief who was crushed in the sewer was useless, and after being trapped for a few days, he managed to get the cell phone antenna out of the manhole cover, and called the boss with hope. , and the boss who went to receive the goods simply said "I think of a way to do it myself", the thief was stunned for a moment and then scolded, vented his anger, and immediately fell down from the well. Seeing this, I literally laughed. Afterwards, the big thief who was stuck in the flue for a few days and escaped looked at the little thief who had finally escaped from the sewer and climbed onto the road. The two demented men looked like two gorillas who had just learned to stand. Even if I think about it now, I can't help laughing.
The Sichuan-style dialect and the design of the lines make the stylized language give the film another rare highlight. Just like Jiang Wen's practice in "The Devil is Coming", I believe that many lines will become buzzwords.
In general, the movie is good, low cost but sincere and ambitious, trying to produce a new style of domestic movie, I hope Ning Hao can go further and further, instead of being a short-lived like Guy Ritchie.
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