gone forever

Savannah 2022-12-13 21:08:49

I really like the movie version of NANA, I like to watch it upside down three or four times, I like to be brainwashed by "Glamorous Sky", I like to jump into another comic hole, I like it to the point where I even want to reduce it to Nana's. A hemp stature.

The roommates who were watching said that the trendy hairstyles in the Japanese comics are usually washed, cut and dried in reality. I agree, especially after Baidu found the normal hairstyles of actors other than Bald Scout Artest, I especially agree. But you know, after I watched the movie upside down so many times, that is, after I got used to the big environment of washing, cutting, and blowing, these characters came alive for the second time in my eyes, shining brightly.

Nana needn't say anything. Although she does something completely different, Nana's character is more independent and shy than I am. More want to say is Nakajima Mika.

A few friends told me that they couldn't accept Qingfeng's voice at first, and some fans said that they were a little unaccustomed to hearing Stefanie's voice at first. I love Yanzi from beginning to end. From the first time I heard her song, every word and every word sang into my heart. It's understandable that he can't accept Aomine, but in fact Aomine's problem is not the sound quality, but the fact that such a voice belongs to a man. But I'm a good listener, so I had a surprisingly quick adaptation period for Aomine's voice. I still remember Susan Sauce's horrified expression when she first listened to the second paragraph of "Little Love Song" on my MP3, but I didn't take it seriously, I was immersed in it.

But only Mika Nakajima, I didn't like her from the first time I consciously listened to her songs. I thought her voice was too muffled and the vibrato gave me goosebumps all over. In addition, at that time, I was not interested in all non-Mandarin songs, so I continued to concentrate on the Mandarin specials. Later, a gender-neutral rock girl named Zhang Yunjing appeared in Taiwan. In addition to the different singing, in my opinion, her voice can be classified as Nakajima Mika. The same makes people feel that they can't sing high notes, and the same makes people feel tired. . However, relying on the broadcast of the "Fairy 3" TV series, Zhang Yunjing's "favorite" actually made me get used to it, and even dragged me into the music library.

Even so, when I watched "NANA" for the first time, I sighed at the beginning that Mika Nakajima can't sing punk with her voice. Although she has a very good image, and she is a singer herself, I still think I should find a singer. replace. I have long since broken through the boundaries of the Mandarin language circle, Cantonese, English, Japanese, Korean, any good ones are welcome. But I still can't accept Nakajima Mika's voice. I like Nishino Kana, she completely broke my previous impression of high-pitched singers live. Nishino's voice is extraordinarily clear and concise, and most importantly, it is very stable, which fits all my subconscious definitions of a good voice.

If I insist on in-depth analysis of why I instinctively dislike Nakajima's voice, one of the reasons may be that my own voice is not clear and high-pitched enough, so I yearn for what I don't have. After all, I also like to sing, and although the skills can be learned, improved and made fun, the natural limitations of my voice prevent me from being able to do whatever I want, and I sometimes feel annoyed when I speak. So I don't like singers who have the same problem as me, such as Liang Jingru. Jingru's songs are all very good, otherwise there wouldn't be so many diehards. But her problems were so hard to hide from my ears that I just couldn't get through with her voice itself.

So, in a rough judgment, Mika Nakajima is indeed difficult to please me.

It's wonderful to play NANA in Nakajima, which I can never get tired of watching, and it's wonderful that Nakajima's glamorous sky really gave me brainwashing. Standing on the other side, I found that it was because I deeply understood the various problems of my singing that once I accepted her voice, I captured every inch of her emotions and expressions in the singing, although I could not listen to all the lyrics. Understand. Once, once I accepted Mika Nakajima, her song surged in my ears like a flood, resounding for a long time, resounding like grievances, like weeping and complaining.

But that's not the whole story.
In October 2010, Nakajima Mika interrupted her work and suffered from open Eustachian tube disease.

She burst into tears when she took the opportunity of the 10th anniversary to announce the news. After recuperating and then coming back for a few years, she suffered from acute pharyngitis again. In the newly released studio works, the deterioration of the voice can be clearly heard.

After I listened to the new single "Death of Servants", I silently flipped out Mika Nakajima's debut album, closed my eyes and listened quietly. Her joy, her sorrow, her excitement, and her depression are all at a glance. This album is called "TRUE". When it was released, it may have been considered to be the most authentic and individual self. Anyway, now in my opinion, this name seems to have a forward-looking, as if knowing that one day the song will come. There will be times when I can't sing, as if I know that this first record is the most original, the most authentic, the most authentic, Mika Nakajima's original singing voice.

Mika Nakajima must know her voice, so after her comeback, she wisely used the deterioration of her voice and chose ballad songs. I'm not a doctor, and I don't know what the consequences of continuing her music business will be. But no matter what, there will always be a day, there is such a last resort, that Mika Nakajima will go out of business forever. As a listener who can't do anything for her, I'm just selfishly grateful to have played Nana at her best at 22 and recorded the timeless tape for her when her voice was in perfect shape, Because she is not unprepared when facing the beauty that will never return.




Basically, people who have read the original book or the manga don't like the movie version of Lian. Unfortunately, I have hardly seen Yazawa Ai's original work. As a moviegoer with a blank background, I have no distaste for Matsuda Ryuhei's Lian, and I love him even more every time I watch it.

But one thing is consistent. After the replacement of NANA2 Bencheng Lian, whether it was originally good or bad, Lian who watched NANA2 felt that Matsuda Ryuhei was better. From this point of view, it is not a bad thing for Matsuda Longping to be arrogant. Although when I found out that Lian had changed people when Trapnest appeared, I was so sorry that my heart bleeds, and every time Lian appeared, I automatically made up another face...

After watching NANA2, I couldn't get enough of google Matsuda, Whether it’s Baidu Encyclopedia or Wikipedia, the first sentence that comes up is all about “personalized actors”, and then I flip through the pictures, almost scared out of me by Matsuda’s recent stills. After watching it, I almost wanted to get into the screen, grabbed his shoulders and shook it, and yelled at him: "Young man, what are you swollen! What's the matter with this unrestrained long hair and beard! Don't be a personality type. This uncle looks like it, okay?"

Later, I got to know more deeply, and I know that he has been acting as an uncle in niche films since his transformation in recent years. Obviously baby fat + did not grow. I haven't watched "Godfather", I'm not interested in gay films, and I can't appreciate how charming Ghana is just by looking at the stills. Matsuda Ryohei pokes me the most is the role of this city lotus. His eyes are not small, but he always likes to squint, and the shadows around the eyes covered by the long eyelashes are like a coquettish red light. Since the first time I noticed it, I couldn't keep my eyes off his charming eyes. It is said that most NANA fans were unhappy with Matsuda at first because when he played the lotus of the city, he also brought in a lot of his own things, many of which did not belong to the original lotus. But I was attracted by these unique characteristics of Matsuda Ryuping, and I fell in love with lotus. Compared with the image of Lian in the original work, I even think that only the face and eyes of Matsuda Ryuhei are printed on the poster of the four people, which makes Lian the most popular.

Indeed, nothing is perfect in this world. Matsuda Ryuhei's 2005 baby fat and the small lump of fat on his stomach also make me a little sad. If I look closely, I will find that his face will slightly tremble with the rhythm when he plays the guitar. This discovery makes me stomach. pain. But like I said before, it is definitely more inappropriate to move forward, and later to become an uncle. So it's still the best look, even if there is fat, it makes people feel more like a real (rarely exercised) person (poof). There is also my favorite posture of him hugging Nana from behind in the bathtub. If he is thin with thin arms and legs like he is now, wouldn't he look too insensitive. (Speaking of a digression here: Shinichi has also changed in NANA2. Although his appearance is closer to Xiumei, and his stature is completely close to the 16-year-old in the original work, but like bean sprouts, it is not pleasing to me. It just doesn't make me feel talented...)

So I'm thankful. I am glad that the director has a discerning eye to invite Matsuda Ryuping to interpret the role of Bencheng lotus. I am glad that an actor with such a personality as Matsuda Ryuping will take on a commercial blockbuster such as NANA. I am glad that Matsuda Ryuping dragged and said that he wanted to use his real self to play the role of Bencheng. That's why Lian doesn't deliberately lose weight. Fortunately, Matsuda Ryuhei wisely makes good use of each period when facing the appearance that is gone forever.




Later, I learned about the content of the original work, and I learned about the lotus of the city and the prototype Sid Vicious written by Yazawa Ai. I like the happy ending in the movie even more irresistibly. Nana, Nana, Lian, and Qiao harvest their own happiness in their own way. Nana's willfulness is dominant and indisputable; in my opinion, Nana is also a willful person. Isn't her wanting to be strong and independent a kind of willfulness, she would rather choose to separate from Lian and rely on her own strength is it not willful? . But if you play rock, there is probably no unwillingness. But why can't a willful person reach Consummation? Why are Nana and Lian so in love with each other but can only separate? Why can't Nana and Qiao be happy?

I know the rock circle is not so simple, I finally saw Mary Jane, but this person is Lian. I don't like Sid Vicious, he's outrageous and not good at anything. Lian's life goes infinitely close to Sid Vicious, takes drugs, and dies. No, almost, thankfully he didn't kill his beloved Nana like Sid Vicious did.

I began to have a feeling of returning to reality from the fantasy, thumping from mid-air and falling to the ground, my butt hurting.

There are really not many people who can fall down twice and stand up three times like Luo Qi.
The entertainment, music, and rock circles are not all brilliant.

At this point, the innocent and pure love for NANA has completely dissipated. But I am still grateful to Yazawa Ai, even though she built a world without a single character that I hated, and destroyed it with her own hands.

Almost every time you fall in love with something, you will eventually cool down quickly because of your own exploration and thinking.

Probably this is why I suddenly stopped chasing after the OP to a certain extent. I am afraid that one day I will decide not to like such a good film. Probably this is why my favorite authors slow down their books after only half of them have been swept away, and I would rather be a dull person when it comes to their talents. Probably this is why Stefanie produces Turtle Speed, but I am not in a hurry at all, so as not to consume her aura and my fortune too quickly.

But I am still glad. Because although these good things are destined to be gone forever, I still have the luck to taste the sweetness of them.




On the journey of time that does not look back, there are too many things that are gone forever. Hurry up, don't wait for my precious things to become Mika Nakajima's voice, Matsuda Ryuhei's refreshing face, Otani Kentaro's reunion weaving, and then regret it.

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