Yazawa Ai's NANA is undoubtedly a good story; the movie NANA based on the manga of the same name naturally moved me easily.
Nana is a band player and is the lead singer. Her dream is to survive on her own singing and write her passion on stage. Life is not short of embarrassment, love is not short of pain, but she is still the stubborn girl dressed in black in the cold wind and staring calmly at the vast sky.
I admire Yazawa Ai's ability to make up stories, because while watching the movie, I kept thinking, what should be the best ending between Nana and Lian? If there is a happy ending in the end, then this will become another vulgar movie, and the dreams and self-esteem that Nana insists on will become the embellishment of the story; but if nothing happens in the end, the two still part ways, Then this will also be a bad movie, watching it is equivalent to watching it in vain. Yazawa Ai gave me the most complete answer, the best interpretation of dreams, love, and reality.
In the end, Nana did not give up her self-esteem and dreams because of Lian, and Lian did not return to Blackstone to continue to be a soul bass player. It's just that Lian said: "I'm relieved to see that you are still the same you, that you are still so aggressive." Nana said: "We can't be like the original again, I can't let go of my self-esteem and dreams now, just wait When I'm so old that I can't even sing, can I go back to the original house?" The seemingly unhappy ending gave birth to the brightest hope. I've always felt that this is the most realistic, and this is what makes NANA's story the most distinctive and resonant.
There is another name for this story, called meeting another me. That's because there is also a kind and lovely girl named NANA in the story who likes to act like a spoiled child. She said, "Although I still haven't grown up at all, in this world where I can't survive just by acting like a spoiled child, Nana made me have the sweetest dream." She was tired and frustrated at work and reluctantly gave in to life, but there was a mirror in her heart, in which always reflected a stubborn NANA, the girl with eyes like the stars in the dark night, the representative The girl who dreams of every girl, the girl who is like meeting another girl.
Every girl has a dream, or innocence, or magnificent. In this world where it is difficult for men and women to achieve equality, a girl's dream always leaves a wound that cannot be healed. Susan Sontag said: "The standard of female attractiveness reflects their vulnerability. As the years go by, men are more powerful, and women are the future." She added: "Any successful woman, if Seen as a woman's unique (schematic, non-confrontational) way of pursuing her own ideals, she is more likely to be accepted if she exerts her abilities... Equality between men and women - this is a new concept - and long-term The idea that being female means submissiveness continues to collide: it’s often assumed that it’s normal for a woman to be completely dependent on a man or sacrificing herself to maintain a relationship with at least one man.” Nana is a rebel, and she exudes enthusiasm and speaks loudly Announce to the world: I also have my self-esteem and dreams! Isn't that independence, that freedom, that firmness, that freedom not every girl's original dream?
Every girl has one in her heart, at least once had a NANA, so why not let her grow and bloom freely?
Gathering the stars
on my chest
Wanting to cross the rainbow
Back to that morning
With the same dream
We dance
together We go to the
Glamorous Days!
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