But this is off topic.
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Today I flipped out the movie and browsed it again, because I didn’t have time to read the comics (saying I I haven't chased after a long time...), and Nakajima Mika's temperament I think is quite in line with the image of Nana in the comics, so as a substitute for the movie, it can temporarily relieve her cravings.
When I was a child, I watched Yazawa Ai's NANA, and I admired Nana's independence in a daze
. Self-esteem is better than love.
Looking at it again today, even though I was jumping, I saw some things that I hadn't noticed before.
Nana's inner complexities and entanglements are actually quite a bit.
When I saw Nana going to the hotel to return the keys to Lian, I would think that although she has strong self-esteem, she seems too stubborn at this moment. Why is it that he loves Lian, but refuses to admit it?
Now it seems that she may not have really been very clear about her mood at the time, and she may not have been so sure of "still in love with Lian". And before she was sure about Lian's feelings, Nana didn't necessarily dare to confirm her feelings easily, and she was playing the game carefully, right? (When I was a child, I didn't know what an "emotional game" was.)
As for the scene of taking a rose bath in the bathroom, I used to cry out in my heart "Why! Why! Obviously two people still love each other! But why are they saying something" no It's possible, we can't live together like we used to'?!!"
Now... I understand that cautious, step-by-step attitude, not daring to be aggressive or overly optimistic. And understand the fear of time. It creates everything, and it destroys everything.
And then... there was an idea that completely changed my previous perceptions, and this idea startled me. I always thought Nana was a strong woman who lived for herself, worked hard for herself, and could give up love in order to keep singing. Today, an idea suddenly came up: Actually... the subconsciously inspiring her to move forward may have always been Lian, and only Lian has always been.
Nana started singing because she saw the dazzling lotus on the stage and felt "very humble". Later, Lian went farther and farther, until she went to Tokyo, and Nana didn't follow because if she followed Lian to Tokyo, although the physical distance was close, the actual distance would be farther and farther - Lian will be The one who held the concert of 10,000 people in the dome, and she would be the one who cleaned up while watching his performance in front of the TV. She didn't want to be the "lowly" one.
Later, Nana also came to Tokyo. Although she reconnected with Lian, she still refused to confirm the relationship 100%, and insisted on "beyond trapnest". What she wants is to stop chasing him and be on an equal footing with him, right?
Looking back after finishing this paragraph, I am very pleased to find that although Lian is indeed a big driving force, it just proves that the main thing supporting Nana is her self-esteem, right? Without that self-esteem, naturally, he wouldn't want to chase his lover, but rather cling to him and enjoy his goodness. Fortunately fortunately. Nana is still the Nana in her memory.
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In fact, this sentence is the core content of this article:
I always thought that movies enriched life, but now I find that life is enriched Movie.
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