Nana is a cute and willful girl with bright clothes, playful hairstyle, lips painted in fruit honey color, and eyes with pure heart under long eyelashes.
The two girls, both named Nana, under the same roof, gradually showed a gentle side with indifference, and slowly learned to be independent and strong. So, they staged a movie called "nana".
Nana lost her parents since she was a child. She is withdrawn, rough in appearance but very sensitive in heart. Nana always wears black clothes and never talks about herself. She has high requirements for herself, and she can give up the days of being with Lian. "I must be a kapok tree near you, standing with you as the image of a tree." Shu Ting's Oak Tree is the best portrayal of Nana. In order to prove herself, Nana did not hesitate to leave Lian. She did not want to be a high-flying flower, but she wanted to appear in front of Lian as a tree taller than Lian. Although many people like Nana very much, including me, because of her dedication to feelings and tolerance to her friends, her self-esteem has been magnified to the point of deformation in my eyes. This kind of extreme self-esteem is actually a kind of inferiority, a kind of inferiority that is eager to prove herself. Nana lacked love since she was a child, and was fed up with loneliness and shame. All happiness seemed illusory and uncontrollable in her eyes, so she must use success to come Guarantee your own happiness. From a certain point of view, women must keep their own piece of sky as the backing and guarantee of their own happy life. However, if you deliberately refuse to live a happy life for this backing and guarantee, it would be putting the cart before the horse. So what Nana said to Nana makes sense: too much self-esteem will make happiness slip away.
Compared with Nana, Nana is gentle, cute and thick-lined. She likes to chat with people and talks about herself endlessly. She is very independent and very dependent. Nana is actually a replica of many girls around her, simple, happy, confused, a little selfish, and more self-willed. Although many people don't like Nana very much, it is undeniable that there are far more Nana in life than Nana, including me, there is a little bit of Nana. This kind of little woman is very cute, but because of her thick lines and more self-centeredness, she seldom considers others. Even if she thinks she is thinking about others, she is thinking from her own perspective. For example, in the part about buying a cup, Nana must buy a cup that Nana also likes, which makes Nana extremely annoying. Moreover, this kind of self-righteous thinking for others is actually self-willed, but this kind of girl is spoiled because of being spoiled, so Not knowing it. So these kind of little women seem to be docile, but they are actually troublesome. As Nana said in the movie, if you look docile, you will actually be exhausted. However, such girls generally have no ambitions and are very contented. All their ambitions are to wear beautiful clothes and be happy little housewives. Therefore, in front of such women, men do not have the pressure to compete with each other, but only have the pressure to take care of women, but many men are happy to take care of such little women.
Such two different girls, as a woman, which one would you like to be? What do you like as a man? I think everyone will have everyone's answer, because there is no standard answer to this question, and even if you ask me, I can't answer it. Nana and Nana are just cartoon characters, how can there be such absolute characters in reality. In reality, women like me are always kneaded by reality and can be round or flat, but Nana can be Nana. In the movie, Nana and Nana also penetrate each other to a certain extent. Nana learned from Nana to compromise and bow her head gently. Nana learned to refuse and crescendo from Nana. The weak she actually said in front of Zhang Si: I don't want it anymore. The phrase "I don't want it" is the beginning of maturity. How many thirty-year-old women can't say such a thing. Therefore, the maturity of a woman has little to do with age, and many women only have wrinkles and do not care.
In fact, the Chinese name of the film expresses a deep meaning of the film, another me in the world. Nana and Nana can actually be regarded as two personalities of the same girl. In two aspects, one is independent and the other is dependent. The movie nana tells about a girl's growth, independence and dependence. These two aspects blend in with each other, struggle with each other, compromise with each other, and finally hone the process of becoming a mature woman. As a mature woman, it is impossible to be completely independent or completely dependent, and it is the same to be a happy woman. A woman can't be completely dependent on a man, it's dangerous to lose yourself like this, and the early Nana was like that, lost herself and lived entirely for her boyfriend. Women should have independent space and have a skill as a guarantee of independence. It is a blessing to have the ability to take care of yourself, but to have others take care of you. But if you don't have the ability to take care of yourself and expect others to take care of you, you will have the taste of charity. In the same way, a mature woman, a happy woman, cannot be completely independent and self-respecting to the extreme. A happy life is never a hard-necked gamble. The essence of life is compromise, mutual compromise, concessions, peace and love. Therefore, a happy woman is a woman who knows how to enjoy the care of a man, and the most gentle woman who bows her head.
Movies are always full of twists and turns, but life is mostly dull and unsatisfactory. It is easy to watch movies, and it is also easy to summarize the truths from the movies, but to apply these truths in life, it requires a lot more wisdom than summarizing them. I am always on paper, but deeply lack this wisdom. However, I can always gain a little bit of wisdom by eating a hundred cuts, and then I rely on one or two wisdom to continue a dull and unsatisfactory life, which is not very enjoyable.
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