is used to seeing the suffering under his camera, so I finished this one calmly, and I don't think so. But what I didn't expect was that a few days after watching it, the picture appeared in my mind by chance, and there was an unbearable desolation.
In the movie, suffering stands up, calmly and depressedly, looking directly at you, you can be calm, it has nothing to do with me. But in life, he comes to you again, reminding you that these are not just movies, but real life. Suffering, all around you, can happen to you, they are real.
This kind of oppression and persecution is really unbearable.
I remember that girl's eyes, that American soldier's resistance and helplessness to the war, those Americans' maintenance of their own country and military image, the painful self-identification of the mixed-race young man, and the desperate pride of that mother.
The village after the war is like the mutated nature after the nuclear explosion. Everything is abnormal, but abnormality is also a kind of real reality.
I wish there were no more wars. No one has the right to initiate it, just as no one has to suffer it.
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