Not a genre film, reviews are very difficult to write. It covers a wide range of absurd villages in a specific time, space, and political context. Take Zhang Wu and the one-eyed girl as two clues. The footage is also not intrusive, with no trace of criticism. But that's why this type of realism has such a rare "elephant sitting on the floor" feel. That's why I give these films high marks. The downside is that some of the narrative skill can be seen. Everyone is carrying a heavy burden, the protagonists are all crazy with ptsd, and the supporting characters are playing the bad habits of habit for many years. Can't help but remind me of my observations in the countryside. So I know how precious the so-called modernity and the city are. I wish the heroine could immigrate to the United States. How much hope Zhang Wu can revenge successfully. I've been drawn so deeply into the mood of the narrative that I know what I'm going to do, and I'm also going to be a murderer or a speculator in order to avoid suicide. What can we criticize outside the camera? Perhaps all we can do at this time is to understand, and to transform society, culture, and politics, and slowly, gradually, there will be fewer and fewer such villages. ps: The version I watched on iQIYI was abridged, and the resolution was very low.
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