Kim Ki-deok's films use his own film language to magnify the sadness, anger, depression, and beauty that everyone cannot express, with little dialogue and music, clean pictures, and unpredictable blood. Now, all I can say about the feeling is just horrible.
Unknown recipient, one of the most unforgettable plots of all Kim Ki-duk movies I've seen. This is the extreme of magnification and then magnified, twisted and twisted. Is he trying to express the slaughter of war on people's hearts? I prefer to believe that the film is an outlet for Kim Ki-duk's own great mental pain during the war.
Sometimes, indulging in hysterical silence can be overwhelming. I think the people and things expressed in his films, as well as the director, are the same.
There was hysterical despair everywhere, letters that were returned, the eyes of girls, the dog that kept getting slaughtered, the drugs of GIs, bows and arrows, even the Medal of Merit.
I don't think I'll ever say I like Kim Ki-duk movies again. I no longer need to be hypocritical to find depth from pain. To live and love gently is the transformation that washes away the brilliance.
But I can't help but watch every film I can find of him. He is still my favorite director, and his silent film language is exactly what he tells.
The movie is so depressing, I have to talk about my feelings after watching it. Given Samsung, not for movie quality. I just don't want to recommend cruelty to onlookers.
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