The power of art

Bennie 2022-03-24 09:02:27

It's like an article after reading the old version of "The Storm", going to a retrospective of the works of women artists during the second-wave feminist movement, and reading a bit of a thesis written by a master student in German politics and psychoanalysis in the 1960s and 1970s , I have a lot of ideas but poor output ability. I can't wait to put all the theories that I have linked into the text, and finally make it stinky, long and scratchy. There are more Berlin in the film than the old version. This attempt to reconstruct the text context can be seen everywhere, but it has completely lost its style, neither scary nor psychedelic, and it has become a pile of various images. After the first dream sequence A lot of people left. The overthrow and reconstruction of the role of Susie is a bit interesting, after all, the heroine of traditional horror films has nothing to play, but the protagonist of this film is not her at all, but (it sounds very awkward to look at and listen to, and then I found out that it was TS makeup starring) The old professor, so supporting the narrative is a sideline, making things in the dance school neither suspenseful nor arousing the interest of the audience. The music made by the barrel wood waist is good to listen to, but it is not integrated into the film at all.

Clementina 2022-04-22 07:01:39

From the suspense at the beginning, the horror of the second act, to the warmth at the end. It incorporates themes of female consciousness awakening and seeking. Considering a lot of suspenseful settings and horror elements that have paved the way for more than 2 hours, there are not only the real hammer scene of the mother of sighs at the end, but also various headshot bloody scenes. The last chapter of warmth really makes people feel that something is wrong. mouth. Looking back at the large amount of material piecing and quick editing throughout the whole article, it is indeed as cliché as the shooting method of modern horror films.