——Moved for everyone who has the beauty in the film.
The bluest sky for a 17-year-old. I can see every scene from day to night, so pure and bright. At 3 p.m., through the gap between Zhang Shihao and Meng Kerou's bicycles parked in front of the red light, a dazed and sly smile was reflected. I set it as the first scene at the beginning of the film, the beginning of the 17-year-old, from the evil smile in the early summer.
Behind Meng Kerou, Lin Yuezhen said proudly, "My husband, the one in the floral shirt!" I think that only in our youth can we define what we mean as "I". Even if it's not actually "mine", you can still smile sweetly with a "cheeky". Like the mood of every former crush, Lin Yuezhen secretly watched all of Zhang Shihao's actions, and timidly hid behind her back and wrote Meng Kerou's name in the signature of the love letter. Secret love itself is a contradictory thing, beautiful and bitter, brave and timid, and a silly belief. Use the pen of the person you like to write the name of the person you like over and over again, thinking that when the ink is dry, he will fall in love with himself. But he didn't fall in love with himself, even when the ink dried. The things Lin Yuezhen threw away at the end were just her wishful remembrances. The rubbish that Zhang Shihao threw away was her precious memory, even if this wishful thinking was to like someone's humbleness, even if they were only thrown away in the end. The beauty of a crush is that someone enriches their heart, including the tears they shed.
Zhang Shihao, Scorpio O, swimming team, guitar club. It has a kind, bright heart, and a dimpled evil smile. I think 17-year-old boys seem to be more childish than girls, with a little bit of self-righteous pride, and they ask questions. He followed Meng Kerou at the school gate and kicked the love letter stuck to the ground that couldn't be scraped off, and tried to stop Meng Kerou's movements again and again in the conference room, making people think of how he was still a child. So lovely and clear, without the complexity of mature love, simple, persistent, a little stubborn, and domineering. Maybe it's because of his childishness that he is called a "high school boy". Zhang Shihao is such an image in the film; sunshine, bicycles, floral shirts, and sports fields. So I want to make my own decisions and add a scene. On the night of the 17-year-old midsummer, after the uneasy first kiss on the steps of the basketball court, he can clearly and boldly say to Meng Kerou: "I like you." Then smile: "I like it." You know, just love. However, these children are all growing up after all. At 3 pm, Zhang Shihao and Meng Kerou had a conversation in the sun:
"I'm not reconciled. This summer is coming to an end, and it seems that nothing has been done."
"Yes, we just ran around, we did not do anything."
But there will always be something left. We will become what kind of adults we leave behind. "
The youth running around, not leaving anything, has left a lot. All experiences and people teach people to grow, and one day they will see it. There is one very important reason for liking all the high school boys who appear in the film. His last line is still what he said to Meng Kerou: "If one day, maybe a year later, maybe three years later, if you start to like Boy, you must be the first to tell me." I am obsessed with the deep persistence behind shallow language and the seriousness behind a cynical person.
Meng Kero is the real female lead in the film. She didn't seem to say much, and sometimes even refused to answer. Mom said that Grandpa had broken her name, and she was fierce every day. She is just full of worries and people treat her with forbearance, which makes people see her independence. Her slender body and indifferent expression even gave people an inexplicable power. I am very reluctant to define her feelings for Lin Yuezhen as homosexuality. She likes girls, but she just likes them. Maybe one day she will meet a boy who cares more than Lin Yuezhen. At the end of the film, Meng Kerou says that she will see Zhang Shihao standing in front of the blue gate. Maybe she will have to go through reincarnation to find that person. Maybe that person will be Zhang Shihao. No one knows the destination of growth. At the end of the film, any one of us can arrange the one we like to go up, in our hearts.
Meng Kerou does not have too many violent expressions from the beginning to the end of the film, and there is no detailed scene like the secret and first love held by Lin Yuezhen and Zhang Shihao. The feeling after the two kisses is also how we know her feelings in later episodes. It wasn't until she lay on her mother's bed and asked, "How did you get here after the breakup?" It was a little clear that she was facing and enduring her growth silently. I think the people who are forbearing all use a common expression, and only those who are forbearing have this kind of strength. Because of this, she is the first person to see and grow up in the film. The final summary is in the chasing of a 17-year-old bicycle, in the bright sunshine at 3 p.m., in Zhang Shihao and Meng Kerou's brightest and most relieved smiling faces. Zhong:
"Little man, looking at your floral shirt flying away, I'm thinking about what we will be like in 1 year, 3 years, 5 years." Because you are kind, cheerful, and comfortable, you should be more handsome. So I seem to see that many years later, you are standing in front of a blue door, the sun at 3 p.m., and you have a few pimples on your face. You smile, I run to you and ask you, "Okay, nod your head." In 3, 5, or even longer, what kind of adults will we become? Is it a physical education teacher or my mother? Although I can't see myself with my eyes closed, I can see you. " In the beautiful mind and face of youth, now you can arrange an ending you like for them in your heart, in 3, 5 years or even longer.
It is also worth mentioning that the music is interspersed in every youth scene. Indifferent tears and laughter, brisk turning and thinking, in every place that reminds us. Chen Qizhen's clear "Minuet" with a slightly hoarse voice no longer needs language, and the melody can also be a kind of relief.
If you stay on the 17-year-old wall, there will be no eternal vows, no immortal old age. Just say, "I was here." I was here, spent those old days." Maybe you get the idea.
All the past events entangled with growth and love, all the beauty and suffering that only existed in the youthful years, are places that will never go back in a lifetime. After these 3 or 5 years, maybe some people have just let go, or some people are still as clear as yesterday, but the common thing is that they are still vividly moved. Being moved is not just about feelings, and crying is not just about sadness. Moved to tears, that's all.
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