I love Hong Kong movies, but I always feel that some genres are the dead end of Hong Kong, one is teen-themed movies, and the other is very plain, very life-like movies. These two types of films are rarely filmed in Hong Kong, and they are not well done. As far as I can remember, Japan is very good at making these kinds of films, and Taiwan has quite a few. "The Blue Door" directed by Yi Zhiyan captured a kind of blandness and simplicity that Hong Kong lacks. Whether a movie is good or bad is subjective, and the interesting phenomenon is: usually bad movies always sell better than good ones. This situation often occurs in newspapers, TV dramas and other places. Instead of criticizing the good and bad of a movie in a righteous manner, I would like to hear from others, have you ever felt the joy of watching a movie because you have watched a movie? After all, watching a movie, whether it is a comedy or a tragedy, a good movie or a bad movie, can also be a pleasure. The Blue Door is a lovely, comfortable, easy-to-watch movie. It's probably not a terrific movie. Not too ambitious, but fortunately not too ambitious. Some boring Taiwanese films tend to pretend to be indifferent, but in fact they are too ambitious to be impatient. The director said he was constantly being asked at Cannes and the Toronto Film Festival, "Why do you want to make this film?" The implication was, "Don't you have a more important subject to make?" But the director still made the one he thought was important. In summer, this is the hardest thing for me. Under the deformed trend of Taiwan's film industry, which is walking behind the box office, this courage to tell a simple story for the audience is really worth admiring. If you are not picky about life, even though you are old, you once liked someone very simply, and you have not forgotten that you were also young, "The Blue Door" will be a very pleasant movie. A movie that can make you feel the pleasant feeling of watching a movie. At least, Hong Kong is difficult to make such a style of film. In "Blue Door", a lesbian anxiety and contradiction was written. The heroine Meng Kerou met Zhang Shihao for her beloved Lin Yuezhen. Meng Kerou asked Zhang Shihao to tell her a secret in exchange for her "love of girls" secret. When I saw this scene, I was a little discouraged, and I thought, "Do you still want to use the homosexual conflict to increase the drama?" Fortunately, the director's articles in this regard are considered normal, and there is no "ambition" to make a famous movie. You can also simply read a simple "I love you, you love him, he loves me" "cliché" story. Just as I am not obsessed with Wong Kar-wai's movies but like his "Breakthrough", you can think of my brother and Tony Leung as an ordinary pair of grudges. Wouldn't it be a little less divisive to look at homosexuality this way? The teacher who taught me philosophy said, why should you be sure that ten years of unrequited love is better than five years of unrequited love To suffer? Quantitative comparisons of personal feelings are absurd. All day long shouting that gay love is harder than ordinary people, in fact, it is just as boring. Is it true that Hong Kong people do not have simple youth and faint memories, so they do not have their own "Blue Door"? I don't want to get serious, I just want to find a few Hong Kong friends, aimlessly collectively remember and create our authentic first love story.
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