The title of the film should be called Little San Life in a Rental House in Beijing Beipiao. It was aimed at Liu Ruoying and later, people who thought it was a youth romance film could not go there. It was even more rubbish than the former three that young people in second- and third-tier towns liked, anyway. It is a movie without aesthetic feeling, only two people live in a chaotic, cramped, and dark rental house. The whole movie is like a PPT.
Not to mention the scandal of the refund incident, I am also convinced by the three views of this film alone. It is a story about a fake northern drifter, but it tells the story of a scumbag and a scumbag. The plot logic has no foreshadowing, and the motives of the characters' actions are as inexplicable as the non-mainstream era in the story ten years ago.
In the first half, the character of a scumbag is set to death, and he sleeps with his best friend with a spare tire mentality. Civil servants, doctors, and fellow classmates have offended the screenwriter. The output is that the child is so old and still pulls other women to the hotel, and when the child is videoing with the child, the third child has to hide and hide.
Director Liu's selfishness in directing this film can be seen from the sky and the earth. He frantically cleaned up Xiaosan, "Xiaosan became the only prospective daughter-in-law designated by the father-in-law", 666. I feel distressed for the main house wife and son of the male protagonist for 3 seconds. Later, after learning about Liu Dao's personal emotional experience, it suddenly dawned on him. It seems that not everyone is suitable to cross the border to the film market to make quick money. During the critical period of the construction of the socialist spiritual civilization of the Great Celestial Dynasty, how did the project of this film get approved?
Finally, I want to say something to Director Liu: That was you later, not us!
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