Talk nonsense.
When I came out of the cinema, the two friends in front of me were arguing. The woman said, you should think about her. The man hugged the woman tightly in his arms and said nothing. In the end, the woman was still half-shoved and said nothing. The man helped the woman with the bag, and the two of them took the elevator together.
I think that's the difference between life and movies.
Do you feel sorry for the missed moments in the movie, in fact, the moments in life are even more embarrassing. Maybe the man thinks about the girl who once made him run in the cold night of Beijing's big winter, but the person around him is the one who accompanies him when the movie theater ends in the spring breeze, so he silently buries this nostalgia. Living. An unforgettable love for you many years ago, and the last is the moment when the movie theater is over.
Maybe it's because I just read a Zhihu question two days ago about how vulnerable men are.
I thought it was a gender issue, but it turned out that many of them were written about parents instead.
A boy wrote that his first job in Beijing after graduating from college was a maintenance worker for a network company. On New Year's Eve, I went to the door to repair the network cable for others. After spending a long time there, I couldn't fix it. I was sweating profusely and almost collapsed from hunger. The hostess kept complaining that the hostess stopped him from inviting him to have some New Year's Eve dinner together. In the end, the host gave him dozens of dollars to buy something to eat. He called home on the bus on the way home, and the moment his mother answered the phone, he burst into tears.
After watching it with An Sheng in July, I felt that your planets are so hypocritical when talking about friends?
After reading the drunken folk ballads, I think literary youths are so hard-pressed?
Later, when I talked about these two films with people with different experiences, they both told me with certainty, yes, they are just friends here. Yes, so hard.
A lot of things have happened recently that make me feel that my worldview is still too monolithic, too undiversified. I have always felt that I am very open-minded, but in fact it is quite narrow. There is a kind of self-righteousness of a pseudo-intellectual.
I looked at the basic points in the comments.
The first is that the plot in the middle is procrastinated without ups and downs.
There was a scene that I thought was very hypocritical when I watched it, that is, Jing Boran said that I have done what you asked me to do now, why don't you stay with me? Zhou Dongyu said because I am no longer the me I used to be.
I wanted to say at the time that the two of you broke up because you couldn't go on, I can understand this, and life is unbearable. Then there is this and that in the back. Neither of you fell in love with anyone else, and you both went home with someone for the New Year, why can't you be together again? Hypocritical. . .
Later, I remembered that after I broke up because of the torture of a long-distance relationship, I once had such an affair with my boyfriend. He said very sincerely, I will accompany you wherever you say, and I will go immediately if you say let me find you, I know I am wrong, why can't you make up with me. Do you like someone else?
I really didn't fall in love with someone else, I just didn't have feelings for this person at the time. Even if he does everything, the feelings will never come back. This boy who once made my palms sweat nervously when I saw him in the big winter, now when I watch him save me so sincerely, I can't even feel a little turbulent in my heart.
If it were me now, I would have felt very hypocritical when I saw me appearing on the screen back then.
Many years later, when I think back to that period, I still feel that I will never meet a person who treats me so well in my life. It was indeed my biggest regret to give up on him, but I did find him at that time. There is no way to convince myself to continue.
It is indeed a very difficult thing to insist on walking through the plain.
Movies too, life too.
The second is to say that lines hurt youth.
I admit this, I was really scared when Zhou Dongyu said I miss you. I think the lines can be rejuvenated a bit, and it will be better to be close to some of the plain words that everyone says when they are in love, instead of writing such literary and artistic lines for the sake of making golden sentences. The protagonist of the main story is very grassroots, and it is really awkward to say such lines.
The third is to say that the three views are not right.
I have no comment on this. Just like when I was watching Day Yan at station B, a barrage opened and a bunch of people said what the three views of this film are, cheating can still be made into a film, and so on and so on.
These friends probably have three views when they see Peggy Pig.
The fourth type is that the director and the screenwriter have no life, and only rely on imagination to write the North drift.
I asked my friends. Some people feel that they have been working in Beijing for ten years, and now they can afford at least a house in Tianjin. Some people still live in Yanjiao and it takes two hours to enter the city every day. Everyone's experience is different, and naturally what is projected from the film is different. Some people don't think so, and some people think that they are experiencing what Jing Boran has experienced.
The intern of my previous company in 1995 was brought up by my grandmother. After my parents divorced, they did not pay a penny for tuition and living expenses. They shared a 1,500 yuan house with others and lived in the bunk. There were also a few months when I didn't have a house to live in and went to a friend's house or the dormitory of my friend's unit. She skated happily to work every day and brought breakfast to other colleagues in the office, and I didn't know something about her until I was about to leave the company. There are all kinds of stories behind everyone. We really can't think that it is fake, made up, and woven purely by imagination just because we haven't experienced it or seen it. Why don't you just rely on your imagination to judge other people's affairs arbitrarily.
Finally, let's talk about Jing Boran's take-off, this stalk is indeed a bit of a Korean drama. There is also the snowy night hug in the black and white part, which is too straightforward. If it is more subtle and restrained, it may be more regrettable.
Other than that, I don't think I have anything to complain about.
I think the film has its limitations, but the director, screenwriter, and actors are all sincere and not lazy.
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