There are a lot of flashing fragments, but the core is still off the ground, full of stereotypes about Beidrift. The two protagonists had a miserable life, and Wen Qing's character set, but lived the standard of living of migrant workers. The director is a goddess of literature and art, and I can't understand it. In fact, the concept of Beidrift is specially tailored for young people in small towns, and migrant workers are not suitable to be called Beidrift. The two are different and cruel.
For migrant workers, Beishangguang is like a coal mine. There is no light, but the amount of coal produced every year is certain. Although there will be no fixed mouse holes, and even being swept out by managers, it is not a waste.
Small town youth, especially those who have gone to college, live a simple life more comfortable than migrant workers, but Beishangguang is a shining glass pyramid for small town youths. In theory, everyone has the opportunity to keep rising until the top of the tower. But since it is a pyramid, most people are destined to stagnate at the bottom. However, there are always flashes on the top of the tower to tempt you. From time to time, a little gold coins will be dropped to maintain your needless climbing, and many invisible traps will be set up to hinder you and drain you. This constant expansion and shattering of illusions is too destructive to human nature.
Miners have no illusions about mines, and they don’t fantasize about being mine owners by digging hard for coal. Their pain is mainly physical. Don't look at the mouse hole, the cash flow and net assets of migrant workers are actually much better than that of young white-collar workers in small towns. The director's understanding of Bei Piao is to live in a group of rented houses and eat instant noodles, but it is vulgar. Comparing Jia Zhangke's "Platform" and "World", the realm is as bad as grandma's house.
The two young literary and artistic youths in the small towns are less than one piece. There is a coquettish young lady in the group renting house who seems to have an affair with the male protagonist. I don’t know what the director’s intention is. The good partner of the young Beidrift can solve all material needs, and can also give up on you, but it can't satisfy Wen Qing Zuo's heart.
A simple Northeast can be madly sad, Taipei can be peaceful and sad, and there are many paths leading to tragedy, but when Taipei (the director) encounters the Northeast (the two protagonists speak Northeastern dialect), the taste cannot be swallowed.
The funniest, and probably the place where the director moved himself, opened the top of the glass pyramid, and the male protagonist is alone! Who is planning, program, art and market, no operation? I developed a game that sold well, and this is too bad. I look down on our game industry too much.
Watching the demo is an imitation of Monument Valley, set according to the time in the play, it should be a small fresh game of Monument Valley imitating him. Big brother, as far as China's low-powered players are concerned, this kind of game can be sold a little in the Apple Store, but I want to buy such a big house in Beijing and make your Spring and Autumn Dream... and it has been in operation for seven or eight years and there is still traffic, which is higher than the previous one. That one is ten times bigger.
When I saw the male protagonist working as a game customer service, I muttered, damn, I won't take the successful route of the boss who cooks elbows, and sure enough... But it is precisely because of this kind of low pressure that I can succeed by understanding low pressure, this kind of low pressure emotional dendrites There is no development at all, and only know how to raise women and piglets just like raising pigs. This kind of association took back the little emotion I had just mobilized by the small flash fragments.
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