In "Old Pao'er", there are two scenes that moved the audience and even filled their eyes, both of which were about running with their legs open. The first is the ostrich that was imprisoned in the courtyard of a wealthy businessman. On the streets of Beijing in the early morning, it ran away at will, making passers-by including Liu Ye chase after it with joy. It widened its eyes and raised its head proudly. Looking at the strange and slightly cold city. This surreal moment, accompanied by Liu Ye, who was riding on Erba and carrying a samurai sword to the scene alone, gave his stubborn behavior a heroic flavor like a moth to a flame. Second, the Sixth Master who followed him ran, struggled to stand up on the frozen wild lake at the back door of the Summer Palace, swung his saber round, sweat dripped, and slayed the enemy camp regardless of the outcome. Thanks to Dou Peng's tear-jerking soundtrack and Luo Pan's emotional photography, which concealed the sound of panting and exhausted appearance, supported dignity and indulged pride.
This is the ostrich who broke free from the cage, the sixth master and the group of old cannons around him. It is the final fantasy of the old Beijing bastard for pride.
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