are based on the father-son family relationship. The careful elaboration of "Old Pao'er" is not only a confrontation between the different ideas of the old and new generations, but also a response to the old times in the four-nine cities with rules and morals. In remembrance, the sixth master played by Feng Xiaogang played a Beijing old cannon who has both a stubborn character and a weak underbelly as his father.
The market of old Beijing formed the background of "Old Pao'er". What is "Old Pao'er"? It is a special reference in northern slang for an old bastard who carries a cage and walks a bird and has nothing to do, but if he can be a bastard from a young age, he will naturally not be a real bastard who is not ashamed of the world. The sixth master played by Feng Xiaogang in the movie, On the surface, he is just the owner of a small shop, but in reality he is a talented person who can speak up in the hutong movies, but this kind of moral rules in the past is so worthless in the face of today's real powerful people. For the sake of the confrontation between the children and the rich second generation, the sixth master has no embarrassing prestige, and the morality of the rivers and lakes is so insignificant in front of Qian Quan. For example, the lonely eagle in "Hurricane Rescue" will not belong to this series. In a reality-based movie, the late sixth master is already a tragic hero in the movie.
The fetters of family love are always the most moving feelings, and this story belongs to the old man who is not stingy. Naturally, family love is needed as a reconciler for showing feelings. The heavy father-son relationship in the movie is deep. The original state of "Old Pao'er" builds the context of "Old Pao'er". What is quite impressive is the literary drama in which Liu Ye and his son Xiaobo, played by Li Yifeng, drink together. The sincere and delicate emotional expression, from the beginning of the confrontation to the The final revealing of his true feelings, the process of relieving his heart with a glass of wine, made people see Feng Xiaogang's true character as a movie king, and Li Yifeng also showed his acting skills outside the star halo for the first time, thus endowing the film characters with the best realistic form.
In the shaping of the villain, the film is not just a loathsome dignitary, but really focuses on the positive and negative sides of this character. Xiao Fei, played by Wu Yifan, loves watching "Little Li Fei Dao". Lao Pao'er's heart is longing for it. He recognizes "reasons", believes in "rules", and has admiration for Liu Ye. Xiaofei is not an arrogant, blind and ignorant domineering villain, he is a real A character with character characteristics and full of emotion, and the social metaphor deeply rooted in this character is also ready to emerge. The confrontation between Lao Pao'er and Xiao Fei is actually to turn power into a relationship between officials who seek personal gain and ordinary people. The conflict and confrontation between the two will usher in the final battle of the ice lake, and draw a poetic ending for the film.
The hero is late, the old cannon is not old, Feng Xiaogang's sixth master of the Beijing faction has moved a story about morals and rules to the present, and the magical realism of the flying ostrich has also burned out a passion and blood to the last moment.
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