Tell me how I feel as a young female audience

I think many people will have heard a saying from their parents when they were young, that is, how I was when I was young. When I was a child, whenever I heard this sentence, I would refute it. Now it is not like when you were young, and I have refuted it to this day, because it is a fact, but when my brother ten years younger than me communicated with me, I inadvertently started to take When I started at your age, I suddenly realized that this is not simply nostalgic for the past, nor is it simply to educate the younger generation, but a kind of imprint of the past life on us. This imprint varies in depth, and most people follow With the ups and downs of life, it is not wrong to become a drifter at sea. Only by knowing how to adapt to the times can we survive and develop better. There are also a small number of people who retain the original flavor of the past because they are in a closed environment. They do not understand the new rules of society, and there is no need to understand. If there is no special situation, they can live their own lives like this. Liu Ye is such a residual carbon retained by a closed environment, which can ignite the last fire, but it gradually goes out and disappears into the daily firewood, rice, oil and salt.

In our age, everything is changing too fast, people may still be in the same bed today, but tomorrow they will be brushed by each other, so indifference and selfishness have become barriers to self-protection. The loyalty of the buddies and the righteousness of the friends are gradually drifting away. In the movie, the sixth master told his son that your gang of friends and friends ran away when an accident happened, which is somewhat realistic and mocking. Relatively speaking, Liu Ye's buddies are not the same as they used to be. Only Liu Ye and brother Mansan'er have returned to the original flavor and refused to add other seasonings. This kind of persistence is somewhat obsolete and obstinate. However, it also exudes an irresistible tragic and solemnity. This tragic and solemnity is brought to the extreme at the end of the film when the sixth master carries a knife and shouts and runs on the ice. Feng Xiaogang only relies on body language and facial expressions to push the whole film to a climax. For him, everything has changed, the city of Beijing has changed, and the people of Beijing have changed, but he can't change. He still has the feelings of being unrelenting when he was young, and he has the loyalty and rules of the rivers and lakes that he insists on. He used to be a fighting underworld. , but now he is a hero who defends the rules. Once the flame erupts, it immediately ignites the passion of the brothers in the past. From the front, the director gave Liu Ye a lot of close-up and close-up shots to show his loneliness like a "guardian". His son couldn't understand him. The heroic feelings of righteousness in the past were recovered, and even the other party admired him. It has to be said that the director arranged a huge comfort for the audience. The heat that was stuck in the chest finally shouted out, which made people emotional and excited.

After watching director Guan Hu's bullfighting and cooking ruffians, Lao Pao'er undoubtedly surpassed the first three works. The director finally put down the dazzling editing and spoofs that did not conform to the background, and completely talked about the seams of an era. The story, each plot has a beginning and an end, is reasonable, but in fact, I am more looking forward to the Venice 140min version. And the director chose two handsome and popular young actors very cunningly, because in terms of subject matter and resonance, the film is slightly unattractive to young people and women. Young people, not only intensified the sense of conflict of the times in the film, but also added another kind of visibility, but also balanced the audience and added commercial value. As far as this film is concerned, it is actually difficult for Li Yifeng to act as a Beijinger as a Sichuanese. The first half of this role is very different from his usual impression, gloomy and withdrawn, and the conflict with his father is very different. Intense, the second half of the film gradually tends to be warm-hearted support between father and son. The director probably likes his own sunny aura, so at the end, he gave a very beautiful close-up as the end of the whole film. It is certain that the Beijing flavor is not strong enough, but it is gratifying that the main scene of the father and son drinking is indeed in place. At that time, the father and son's eyes and the heavy soundtrack were like scraping people into a hurricane, and they couldn't help but think of quarreling with their parents and running away from home when they were young. In fact, I was surprised that this drama actually resonated with me, including my father who also broke someone's ribs in a fight, but compared to my son Xiaobo, I am much luckier.

Zhang Hanyu, Xu Qing and Liu Hua are completely natural. By the way, they love Uncle Zhang Hanyu even more. They are too manly! ! ! ! !
In the film, there is a scene where Liu Ye and the ostrich who escaped from the cage are walking side by side in the cold winter wind. I can't say what this scene symbolizes, but I just feel very impressed. The pores on the whole body are open and closed. Opportunity, I want to run on the street with my dad once. He will definitely say that when I was young, my body was not like you are now... After
a few steps, I gasped...

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