Can't be wrong, first of all because Feng Xiaogang was chosen. Not only I think so, but the judges of the Golden Horse Awards also think so. Feng Xiaogang's acting skills are very good, and he hasn't shown much in the past because he has Ge You, so he doesn't need to go out in person. In fact, he is even better as an actor than he is as a director. Here's a break, in fact, the director and starring of another film released at the same time as this film is also similar to Feng Xiaogang in this respect. It's just that Feng Xiaogang is a first-rate actor and a second-rate director; while Deng Chao is a first-rate actor and a ninety-seven-rate director.
It is of course very suitable to choose Feng Xiaogang to play the old gun, but I am also delighted that the other two main actors who were confirmed when the filming started - Wu Yifan and Li Yifeng. I'm not a fan of either of them, I just know that the two lads look a bit pretty. Many moviegoers feel disgusted when they see idol stars in a movie, and feel that these people and their fans are superficial, but whether it bothers you or not, they are there as a force. If you don't use it, others will use it, and if it doesn't work, it will lead them to fall into the dark side of the Force. If good directors pretend to be aloof and disdain to be in the company of idol-turned-actors, then these idols have to use their appeal to pull the box office for things like "The Stars". Guan Hu's willingness to train these young people who have no acting experience is a manifestation of self-confidence, and judging from the finished product that has come out now, he is indeed well controlled. Of course, if you say that he chose idol stars without commercial considerations at all, no one will believe it. But without compromising the quality of the movie, isn't it a great thing to have good movies get a decent box office while giving young idol stars and their younger fans a chance to get in touch with serious movies? ?
The above is mainly about the expectations before watching the film; as for the feelings after watching the film, it is much simpler, acting well, laughing, and burning (I don’t need to cry as a measure of whether a movie is good or bad; it makes people laugh The movie is definitely not wrong. As for what makes people cry, it needs to be analyzed in detail. If it makes people cry with tears, then I will classify it as "Ran Dian".) If you continue to simplify, you can Two words: reliable.
The movie doesn't fight from start to finish, but it feels violent. It is said that there is a university professor who has a somewhat eccentric view of the film and criticizes the film for being "ruthless". Although this person's motives are very suspicious, this evaluation is very appropriate. That's right, even though it is violent, it is so cool because of this, and there is a force surging in the audience's chest from time to time.
The "no fight" in this film is actually understandable. It was actually filmed that Feng Xiaogang and Wu Yifan's weapons were facing each other, their eyes were facing each other, their eyes seemed to be spitting out fire, they took turns yelling each other's names, and they took turns calling themselves. The name of the nirvana, how embarrassing. The old gunners and the little gunners were not on the same channel originally, and achieving effective communication is a more important result than winning a fight.
However, if it is reasonable and ethical, I think at least a picture of Uncle Gong being knocked to the ground can satisfy the audience who have no pursuit like me. In the film, whenever the sixth master encounters something that does not follow the rules, he basically uses his method to make things change a little in the direction of obeying the rules. Some of the effects are limited, but they are stronger than the same. Only Uncle Gong, who did the most evil in the whole film, was not liquidated, or at least he was liquidated for not performing. The audience always felt that they were still holding their breath and didn't release it. Maybe this is what the director wanted, but ordinary viewers like me still want something simple and straightforward. John Wick's dog was killed, so he killed Theon Greyjoy and his whole family; Uncle Gong killed Liu Ye's bird, at least Liu Ye's group should cut his bird in turn. right.
Liu Ye respects the rules of the world and sometimes uses violence, which makes him similar to the godfather. But the Sopranos family ruled by the godfather should be organized, while the sixth master does not have, or at least no longer has, his own power. In fact, when you think about it this way, Liu Ye is a bit like the mother-in-law of Kabukicho. Although she has no power of her own, she is ranked as the Four Heavenly Kings with big men like Jiro Nishizui by virtue of her appeal. The whole film is really more like a gangster, only Uncle Gong and his gang of gangsters. This character is very important, and his appearance diverts the main contradiction of the film, so that the film will not eventually become a vulgar and childish story of adults bullying children or young people bullying old people. He is not the same as the older and younger generations, he is a bad guy, and he is only a bad guy with a lower level. The low-level villain may still be able to look forward to cutting his bird (but it is not feasible), and the high-level villain will not show his face at all and can only solve it by writing a letter.
Liu Ye and Xiaofei looked at each other affectionately, the hook was hanged for 100 years and cannot be changed, and after the mountains and the world were in harmony with Junjue, they turned around and reported their father to Ju... Some people may think that this practice is not in line with the rules, Or I think it was forced in to let the movie pass the trial, but I think this is the embodiment of Six Master's attention to the rules. It's not that the big right and wrong issues emphasized by the propaganda tools are more important than the rules of the rivers and lakes, but I believe that in the eyes of people like Liu Ye, this is part of the rules of the rivers and lakes. The second generation of troublemakers are just ill-educated arrogant children. They have a chance to become fellows after a fight or a cannonball. Their fathers, corrupt officials and corrupt officials, are a public nuisance to all human beings. In the Nei Dynasty, Nedai, and Nei's countries, it is the same principle. Writing a letter may not be as heroic as slashing someone with a knife, but if the latter cannot be achieved, it is a feasible way after all. Doing it is better than not doing it, and doing it can make things follow the rules.的方向多少变化一点儿；就像是六爷爱用的那招Wu Shi Finger，撅人手指的教育效果也许不如直接把人揍得满地找牙，但在避免把事情闹大的情况下多少Also let others learn a little bit of rules (although maybe only a very limited one). Speaking of which, in fact, after the sixth master and Xiaobo buried the bird in the film, Xiaobo stretched out his fingers to help his father get up there. I was very worried that the sixth master would throw his hand and give his son a friendly firepower here.
The film spent a lot of time explaining the reconciliation between the father and son. Of course, the degree of completion is very high, but I love watching Liu Ye and Xiaofei's rivalry more. The father and son have been entangled with each other for more than 20 years to resolve the knot, and finally bring people a feeling of naturalness and tranquility; while Liu Ye and Xiaofei are the unexpected joy of meeting their confidants. Liu Ye almost slapped Xiaofei in the face, but he actually regarded him as his own child at this moment. But he is not after all, so the relationship between the two has more possibilities. I'm looking forward to someone who is good at writing and who is as perverted as me to write this old and young fancier Xiao Huangwen. (So this thing is actually a proposal for an essay~)
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