At the beginning of the film, Xiaobo is constantly mentioned from different people. He is the son of Zhang Xuejun, an old gunman, but he has a bad relationship with his father. He scolded, but his heart was still looking forward to it. Xiaobo is not the center of "Old Pao'er", but the center of Zhang Xuejun. As soon as the phone rang, Zhang Xuejun hurried to answer it. Maybe he thought it was Xiaobo's call. The simple plot made us deeply feel the father's love and miss for his son. He was hard-mouthed, scolded his son, hated that iron could not become steel, but he also had a soft side in his heart. He wanted his son, but he cared about his son, but it was also because of his face, and he was unwilling to accept softness. In the end, it was the father who bowed his head first and took the initiative to look at his son, only to find that Xiaobo had an accident, which led to the whole story behind. As for Xiaobo, he harbored resentment towards his father when he was young, but this resentment was more of an external manifestation. He used this resentment to arm himself and conceal his love for his father in his heart. Finally, Xiaobo was moved by his father's efforts to save him. After a long drinking conversation with his father, the father and son opened up their hearts to each other. Zhang Xuejun's illness made us feel that father and son not only confront each other, but also understand each other and make fun of each other. At this time, I discovered another detail that I particularly liked was Xiaobo's name for his father, which was still called by Zhang Xuejun and Zhang Xuejun. In foreign countries, it is normal for a son to call his father's name directly. However, in China , especially for a disciplined person like Lao Pao'er, this can undoubtedly be regarded as a kind of provocation. But Lao Pao'er didn't lose his temper with his son again. Perhaps such a title has become a habit of father-son communication for many years. The rare harmonious coexistence makes each other more willing to understand and tolerate each other. Except for the first sentence "You are not my father, I have never been as old as you since I was a child", it seems that the name Zhang Xuejun has always been Xiaobo's name for his father. In fact, similar situations often occur in our lives. Long-term misunderstanding and estrangement will make it difficult to communicate with each other, but in the face of this dearest person, maybe we should give more tolerance to those who love you. It's not shameful to bow your head, we don't want to be willful because of love, and don't let our feelings leave regrets. Of course, this regret was compensated at the end of the film. I stared at the scene where Xiaobo taught the parrot to call Daddy for a long time.
In the end, although many people said that Li Yifeng would not choose a movie, I think the role he chose this time is very good. Although there are not many scenes, it is true that the emotional center of the entire film, as well as the fuse, has a strong sense of presence and acting skills. It's also very natural and impressive, maybe, as a rookie they just lack some good opportunities. Looking forward to Li Yifeng's future development, we are willing to slowly wait for the next generation cultivated by the Chinese film industry.
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