1. The loss of only one is an important clue throughout the front and back, but the image of the child (children at all stages) is always ambiguous. Whether the parent loves the child or the concept of "having a child" is also ambiguous. It is difficult to empathize with the family line. The extreme way of handling Liu's own children with a kitchen knife made me even more shocked.
2. The husband and wife are understanding and understanding of others everywhere. The workshop director who forced the aborting of the second child understands the godson who killed his own son, but he has been living with himself all his life, and he is constantly forbearing his emotions from beginning to end. It is very delicate. Forbearance has been shown, but the level is too limited, the character arc lacks development
3. At the end, the knot that has been in my heart for more than 20 years turned into a family carnival overnight. It makes people wonder what they are struggling with for most of their life.
4. The audio-visual language is well-organized, the narrative is long and the emotion is thin, and at least half of the three hours are on pins and needles
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