1. The four heroines in the film: Shu'an, who conspires with gangsters to dance with immortals and loves pranks, her dancer mother, Zhou Yufen, a girl who falls in love with the young master Xiaoqiang and loves to read novels. Shu'an is often defined as a problem girl, and her father seems to be a hooligan. The mother is a dancer. In the film, the mother takes away her daughter's telephone, visits her daughter who has fallen, touches her face in the music, and curses her daughter. 2. Shu'an and Xiaoqiang meet by chance: Xiaoqiang thinks that Shu'an is true love, and he never forgets it after seeing it at first sight. After meeting again, after a one-night stand, she is asked to wait for him to join the army. Shu'an turns around and sells his camera, but has no choice but to return it. Wake up, go home again, and find his old girlfriend who once committed suicide for him. Xiaoqiang can't take responsibility himself, he and his girlfriend are the same kind of people, they both have fantasies about love (suicide for love, love at first sight, reunion, it's actually a youth idol drama), and Shu'an is the kind of person he can't control , the cold reality, it is precisely from the mouth of such a naive young master that "it's so scary! Only I know what's going on", it is the marvel at the truth and the fact that reality may develop like a novel, and it is his girlfriend and his girlfriend who respond to him. Zhou Yufen's unanimous "novel is different from the world" is very similar to "Guling Street", which is a conflict between the inconsistency of definite moral standards and reality. 3. The marriage tragedy between Zhou Yufen and Li Lizhong: Zhou thought that Li did not understand her desires and abilities. After reading "Marriage Record", Li believed that finding the culprit of the prank would save the marriage, which confirmed this. In fact, Zhou Zao had previously Derailed. This demand also implies that Zhou thinks Li (and the trivial and mediocre life he represents) is boring, so she does not need to understand Li, but needs Li to understand her (her new term is willing to understand her and be her foil), Zhou complained about several "new beginnings" because Li was unable to provide the passion Zhou needed, and Li believed that he had done his best to meet all her requirements, and that if he let it go, she would be able to settle down. Zhou is obviously married because she needs to be foiled, and Li's focus is not there. He didn't dare to speak out after his wife went missing, for fear that outsiders could see into the instability of life, and he emphasized that his wife was a famous writer during the introduction. What it shows is the collapse of the ideas on which he lives. "Men still have to focus on career and have both money and manpower" vs "I told you that you don't understand", but such stories are not uncommon in reality. Fourth, the intersection of Y-shaped narratives: the double ending allows the audience to experience the emotional explosion of the last moment, and it is also a "novel that is different from reality". The contingency of the story And the individuality lies in: Li happened to know the police officer and got a gun; Li's friends seem to be screened, his colleagues are competitors, his focus is work, Li just happens to have few friends; just happened to encounter Shu'an's prank, Pushing his wife to divorce; just in time for the promotion of others on that day, the director deliberately did not see him. There is one thing I don't understand. In the imaginary ending, Li just killed his lover, and his wife's pretence of constancy and panic when facing the gun seemed to move him, but why should he argue that he still has feelings for his wife? Is it to make this character even more pitiful? Diverging from the film, there is often a third ending in life: Divorce and get drunk after a while. My understanding is that the film does not say which behavior should not be done, but uses a story to show the impact of this emotion, which is not uncommon by chance. To a certain extent, although it is strange, it is also universal. 5. Violent hooligans: The film is very good at capturing the spirit of the local gangsters, such as the second-hand merchants in Shu'an's reselling, which are also found in "Guling Street", and extremely realistically highlights the violent attributes of hooligans and the accompanying of fear. I haven't watched many films, but most of them seem to focus more on the side of being ridiculous, absurd, low-minded, etc. Of course, this is what the director's cold perspective is all about.
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