Still very honest work. I haven't seen such a good arrangement of characters for a long time. The set is less than two hours, and there are so many characters, but they are unexpectedly fresh. Yang's delicate shots and delicate choreography are very appetizing. As a female writer, the emphasis is on her exploration of life and her hatred of following the rules. Such qualities are not manifested in a strong way, nor do they set a conflicting flashpoint. Anonymous calls are a twist, but they are also trivial. Relatively speaking, the husband is under the pressure of work, more and more anticipation of getting out of trouble, and confusion about his wife. In this two-person family, the fragility of urbanites is a hidden explosive item, and the difference in the two's values is also an unstable factor that leads to the breakup. Looking at the other side, the photographer and the girl are destined to pursue freedom from the beginning, they strongly jump out of the orderliness of the urban surface, which makes them blind. The nature of the two people described in the movie is similar, like the relationship in "Besieged City". On the photographer's side, they left their wealthy family for photography, and even left their girlfriends for the darkroom where they developed photos. He is obsessed with photography, facing strange faces, his own photography, and even falling in love with that stranger, he always trusts his eyes. The girl is the love of the rebellious and chaotic world, she has an unfortunate family, like a rose with thorns. Eventually they got the life they wanted, but all the time their lives said, "Is it worth it?"
From a confrontation between husband and wife, we can conclude that what the husband believes in is: "If I knew this earlier, why should it be in the first place." So he believes that as long as he can work hard for the company, he can live a stable life, and even resolve the conflict with his wife. He seemed obsessed with betraying his friend. The wife is trying to find a new beginning, because her life is always unsatisfactory. The dark home is a haven to escape from ten years of work, but the bright bedroom of her lover makes her feel that she is moldy. As long as the footsteps are moving forward, no amount of "new beginnings" is too much.
Urban people's desire for a new life and their disgust for their own life are terrorists in their hearts. But in the end, only a strong heart can achieve the inner hope and survive the bombardment of depression and setbacks.
The end of the film is very exciting. As the only non-realistic plot in the whole chapter, it shows the cruelty of reality. A novel is a novel after all. Real people cannot be as brave as novels, and no matter how painful it is, it is impossible to fight against the world. The only thing you can do is to end your empty life after a hangover.
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