The movie "The Terrorist" portrays the heroine's psychology very vividly. I can see that the following techniques are used.
The first is to accumulate emotions from the atmosphere and environment of the home to portray the heroine's psychology. In Li Lizhong's house, Zhou Yufen has been writing at home for a long time, and the family atmosphere is very dull and uninspiring; while Li Lizhong is careful at home, and even the layout of the home must obey Zhou Yufen's words. Under the premise of no intersection of careers, the heroine once wanted to have a child to form a stable family, but this plan eventually fell through. It can be said that the overall atmosphere of this family is peaceful on the surface and crises on the inside. In such a family atmosphere, the heroine's desire for stimulation due to lack of love and understanding naturally emerges and is understood.
The second is the contrast of Li Lizhong's mentality and attitude. The more mediocre and weak Li Lizhong was, the more patient she was with Zhou Yufen, the more she longed for freedom and indulgence; the more Li Lizhong tried to recover, and even used violence regardless of the consequences, the more she felt an unprecedented stimulation. The psychology and emotions of the male protagonist are related to the female protagonist, and the two influence each other.
Third, the heroine's psychology is implied through the difference between the plot and life, and the heroine's psychology is emphasized through the turning point of the plot. The content of the novel and the real situation of life are actually different. Through the nuances of the novel and life, we can see the potential expectation of life in Zhou Yufen's heart. With a discordant life, she longed for a new beginning, but lacked a reason to start over. At this time, the phone rang in the plot, and this reason actually implied the heroine's psychology of wanting to fly high.
2. How does the film use images to form metaphors?
When the development of the plot overlaps with Zhou Yufen's novels, there are actually quite a few obvious problems in the images - the weak and mediocre Li Lizhong became like a gunman overnight, and his killing methods are neat and tidy, completely different from him in life. . The plot already clearly hints at the fictional nature of the story. In reality, a middle-aged man who is useless, suffers unprecedented setbacks in his career and relationship, even if he has an undeniable resentment with his boss and a deep hatred with the man who stole his wife, he encourages He took up the courage to raise his pistol, and the only one who shot him was himself. When the heroine is writing the novel, she integrates her suspicions into the novel, and uses the brokenness of the novel to imply the existence of the marriage between the two in name only.
Yang Dechang showed his value orientation with the plot of the film. He did not sympathize with bloodless men, and he was willing to use the camera to kill men's cowards. What is really scary is not the unhappiness of life, but the fear of life in people's hearts.
3. What is the internal relationship between the space environment and theme of the film's plot development, and the portrayal of characters?
The space in which the plot of the film unfolds is actually very limited. The home of the two is the most important space environment for the film. It can be seen from the environment that Li Lizhong does not pay much attention to communication in real life, while Zhou Yufen stays at home all day to write. The seemingly calm but hidden crisis environment lays the foundation for the story to take place. In such an environment, the two repeat a monotonous and boring life, uneasy about the status quo but lacking an opportunity to break through the deadlock.
After Zhou Yufang decided to move out, the environment changed, suggesting a substantial change in the relationship between the two. At this stage, the shots of the two protagonists are always separated, and the ambient sounds are mostly monotonous sound effects or silent pictures, in order to imply the protagonist's emotions and set off the atmosphere of the plot.
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