Zhou Yufen asked Li Lizhong and Xiao Si in "Guling Street" to ridicule the director that "the real and the fake can't be distinguished", and Li Zhong himself muttered to Yang Yang in "Yiyi", "Does everyone only see half of it? Do I want it? Go tell them?" The core of Yang Dechang's films over the past 15 years is still similar, the terrorists are chilling to watch, Li Zhong's final posturing is very weird, and the only one who is so cowardly that he can kill is himself. Zhong Zhong is probably the fourth child of adulthood. Inappropriate love and marriage have shown too many tragedies. Does this make this society full of accidents even colder?
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