As a "writer", Zhou Yufen is a reflection of life. It is better to say that a writer is the most sensitive and insightful person in life. She sensitively felt the alienation of people in this "ordinary" life, and their incomprehension of each other. A strange phone call can arouse mutual suspicion. This is her fiction and she is aware of it. But the irony is that she used such a novel to achieve herself with the pain in her life, but at the same time, she also gave up the "tenderness" of facing Li Lizhong, she turned her anxiety and panic into works, Achieving spiritual achievements, but deeply hurt the husband who is regarded as "ordinary" and "alienated" who doesn't understand her. I think (guess) that what Yang Dechang pointed out is a self-reflection of him, and also this terrible "individualism" dilemma for him and the creators around him. It is this that makes people lose the last "tenderness" and makes people hurt each other. Even people who are sensitive like writers and digging life are jointly cultivating a bad land that hurts each other. We no longer love "neighbors", we love too much. myself and a profoundly different life.
She felt that escaping from Li Lizhong would lead to a new life, and revisiting the old relationship would relieve this repetitive and boring marriage life. She escaped on her own, leaving behind a mentally weak Li Lizhong, who is of course a somewhat morbid modern person who has been imprisoned in the bureaucratic system, alienated and unconscious. But he is also a weak person. He doesn't read much of her novels, and he can't understand what she's doing. Maybe it's not that he doesn't want to understand, it's that he can't understand. She despised him like this, and even later, she made up his anger, she thought he would be like those desperate people who raised their guns and became a heroic terrorist to destroy it all, but they never understood him, he actually Cowardly enough to kill himself. She cares so much about herself and the subtle anxieties and pains between people that she gave the most cruel emotion, the least "gentle" self, to the people around her, and she didn't care "Neighbor", she cares about these experiences and emotions in life. The ending foreshadows that she has a child, but tells us in a vomit way that this is not a positive suggestion. Will there be a good life with a child who has been longed for in the past? Director Yang seems to be pessimistic.
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