At least in Sono Ziwen's movie, every Japanese is a mental patient.
After the earthquake, this morbid condition continued unabated. Fortunately, the temperature of the garden was a little less cruel this time.
In terms of perversion, it is not comparable to "Mysterious Circus"; in terms of pornography, it is not comparable to "Sin of Love"; in terms of dullness, it is not comparable to "Kiko's Dining Table"; in terms of blood, it is not comparable to "Cold Tropical Fish".
However, Sono Ziwen's style has not disappeared at all, just not as strong as before.
Everything seems to be just right.
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