Japan's post-disaster reconstruction inspirational film. Sumita is a profile of the younger generation after the disaster. The heart is higher than the sky, but the sky is not pleasing to the eye, and the "mourning" also comes from the gap caused by the unexpected disaster. Sumita, who vowed not to become a "scumbag", collapsed after the climax of murdering his father. What's even more amusing is that Shu Tian, who was determined to become a scum, failed again and again under the care of God. This design highlights "impermanence", and "mourning" is a matter of course. Yuan Ziwen has always "emphasized women over men", and "Mediocre Talents" is no exception. Despite the abuse, domestic violence, and bullying, Cha Ze still loves Sumita deeply and saves him from the mud (in fact, Sumita doesn't even roll around in the mud). This girl's vitality, justice and perseverance finally sublimated to the height of "Virgin Mary". I think the circle is not "feminism", but just a deep contempt for the patriarchal society. The parents cursed their children to die; the older generation left silently after completing their help to the young; while Cha Ze threw the stone representing "sin" into the pond, the wet Sumida came ashore; The baptism and redemption of Sumita is also to hand over the belief of life to the younger generation to inherit. So, it really doesn't look like something that Sono Ziwen would shoot...so much so that when I saw the ending, I was looking forward to Sumita giving Chazawa a shot.
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