The original author of the comics, Furuya, is a good player in youth comics. His protagonists are always a group of low-level frustrated men or ordinary students who are not paid attention to, and then the involvement of the underworld and the falling in love with outstanding beauties. This is his The signs of violence and sex are also story routines. To show social events in a plain way often makes me uncomfortable and dramatic, but the plain narrative has no dramatic impact, just like the social cases that will happen around me, including his Another masterpiece "17 Youth Escape", I feel very uncomfortable, this feeling is also in Park Zanyu's "I Want Vengeance" and "Old Boy". the lives of ordinary people. Going back to the movie, Sono Ziwen did not restore it like a manga adaptation. He wanted to express more elements than the original. First of all, the time point is in Japan after the nuclear disaster. Let’s all mention this matter, the ruins at the beginning are completely It's a documentary film, of course, but the documentary shot is like a separate shot in a movie, which is very abrupt. I couldn't feel the cinematic feeling in the first few minutes. Moreover, this kind of shot is not good. The unification makes the movie have a sense of disunity. The transitions after him use the transition from right to left like pulling a glass window, which is commonly used in comedy films, and these transitions are only The first half of the movie is not used to the end, and there is a sense of hodgepodge, which will make the content expressed in the later part of the movie feel broken. Let’s talk about the movie, the background of the nuclear leak is very important. It's just an ordinary person who gets into all kinds of bad things and bad people, even in the movie. However, the perverted characters that Sono Ziwen interspersed in the movie are more like the social morbid weather caused by the severe trauma after the disaster. The old man who was a refugee after the disaster kept sending messages to the main character. Sumita is "Japan's future", which is not in line with Sumita's ideals. Sumita, in the context of the film, I think it is more like the current state of Japanese young people. Cynicism prevails in young people's minds, and they have no idea about the future. Hope, I just want to be an ordinary person, and it sounds a little ugly. Why does "Showa boy, Heisei trash" appear in the Internet language now? The previous popular "What About the Loose Generation" (the Japanese Loose Generation corresponds to the post-80s and post-90s in China and the group generation who criticized the Loose Generation is also the old men of the Showa men who struggled to make Japan rise) and "Escape". Shameful but useful" aren't these film and television works also reflecting these situations? Sumita, in the language of the film, symbolizes "Japan's future", which symbolizes young people in Japan. Young people will always be the future of every country. After experiencing so many social hardships and seeing so many bizarre people, Girls love him, refugees
View more about Themis reviews
