so so.
In terms of length, it feels like a big thing is going to be done, but in terms of perception, it is neither grand nor full of meaning.
The quality of the picture looks neither new nor old, and with the fake shape, the overall tone and atmosphere are very strange.
Most of the characters did not resonate with me anyway, especially none of the villains were able to rely on their own qualities. That foreigner is crazy enough to die, his last forklift didn't kill him, it must be the resurrection armor. Does the bald head make any difference with him or without him? In addition to slapping Andy Lau in the face, where does it seem that he has a high rank? Then that old man was shot in the head with impassioned enthusiasm, I... no objection, no objection, good to go. Yiyi created a school of suicide that is different from the foreigner. The foreigner is a narcissistic type of suicide, and he is an underachiever. The villain's lack of strength will cause the hero on the opposite side to develop inexplicably and cheaply, so Sheriff Andy Lau is really soft and nepotistic, and he doesn't have the sense of being a traitor and burning at all.
Donnie Yen's early hairstyle was ugly and crying. When he sacrificed his life to save Andy Lau, I felt that I had received an education. Later, when I felt distressed about my legs and Andy Lau turned my face, I felt that the education hit me in the face. So who will teach me how to do it? ? ? It's better to create some other conflict between them. Anyway, there is a character here who feels that he has been raised a bit. As a result, the first second I respected you as a big brother, and the next second the little citizen chicken thief pretended to force me to go. yours.
Apart from the death of the fat cat and the death of Donnie Yen's last brother, I can't think of anything else that can move me, because these two characters have carried out their own principles and seem very pure.
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