In recent years, everyone has only seen Wang Jing, a greasy fat man, who will do whatever he can to make money, and make a "New Year's film" like Macau Scenery... Little do you know that this fat man has witnessed several generations of Hong Kong movies. I have helped many new directors who have a movie dream but can't attract investment. Countless Hong Kong directors are trying to figure out the censorship system in the mainland. What we want is not Operation Mekong and Operation Red Sea, or the rubbish like ferrymen. (Wang Kar Wai fans please calm down, listen to me, the current Wong Kar Wai is trash among trash [smiles]) How long has it been since I saw such a bloody Hong Kong movie. After seeing the moving face several times, I couldn't help but make a crazy phone call for this middle-aged fat man. This trend-setter in Hong Kong film history carries out his mission with his own film feelings. In contrast, those Hong Kong directors who originally had talent and dreams in order to enter the mainland market to make money, have stopped talking and telling stories, but blindly catered to the illusory censorship system. As Wang Jing said to the media when Zhou Xingchi was caught in a right and wrong a few years ago, "You only see when everyone says he is not (referring to Zhou Xingchi) when he has seen him talk about others." This is what a sober person would say. Don't go along with your voice when everyone looks down on a person, and don't brag about it when everyone is optimistic about a person. Such a clear-headed person should make a movie that should be called a movie. I went to the cinema today to watch Monster Hunt 2. How much money do you owe, Weizi, to accept this kind of movie? Or is Sister Jialing running out of money to spend?
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