Kaji Meiko's Female Prisoner No. 701 series has a total of 4 films. In my opinion, the first two films are a bit interesting. As a revenge film, the main task is to destroy the enemy. The warden of the film has also been eliminated. By the second part, all the enemies of the heroine have been eliminated. As a revenge film, all the enemies of the protagonist have been eliminated, and there is no point in continuing to shoot. The game is a bit repetitive. Routines, it is difficult to make new ideas, which is why the ratings of the latter two films have plummeted. The reason for filming is that it is very popular and can make money, but the viewing experience is definitely much worse, so I did not think about the latter two. desire to see. In general, the first part is the best, and the second part is not bad. In addition to continuing to complete the elimination of the remaining enemies (the warden), it also played new tricks, and it is very interesting to escape collectively. To say the greatest significance of this series, I think it is the achievement of a theme song called "The Festival of Resentment" (translated as the Festival of Resentment). This theme song was used in Kaji Meiko's other classic revenge film "Sura Xue Ji", and it became a double masterpiece with another theme song "Sura no Flower" tailored for "Sura Xue Ji". It is precisely these music and these films that provide the most important foundation for the classic work "Kill Bill" shot by the famous Hollywood director Quentin. And it happened that I liked the movie "Kill Bill" very much. At first, it was this movie that I felt that Quentin was a genius of TM. Later, I watched almost all of Quentin's movies (I have seen all the previous works of Once Upon a Time in Hollywood) , to be sure that Quentin is indeed a genius of TM.
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