I forgot who ever said something about male characters in Korean movies, but just because of that sentence I watched "A Movie is a Movie" and never thought it was the second work of the director of that movie. Oh, I forgot to mention, what that person has said, probably means that now only in Korean movies can you still see the kind of rudeness of pure men, that is, the bloody scenes of very Man, for example, you can see men who are sloppy and Extremely violent fighting scenes, so the most masculine elements of Asian men can only be traced in Korean movies, and for example, Asian Japan has begun to approach feminine femininity, while men in domestic movies are more Most of them are potbellied, and the oily water is reminiscent of frogs in a lotus pond.
So, will the women miss the image of some big man who only uses violence to solve problems? I can't say for sure, at least I still like those capable dances that are more forceful. It is the smell of male hormones, but it is more of a display of high spirits. It is because of the lack of it that I am attracted by descriptions like this, and I will go to see these animals that are full of male animals. The bloody movie, what kind of emotional intercourse and the greatest yearning for freedom will be.
It's just that this movie disappointed me to some extent, not only did it fail to achieve the extreme opposition in "A Movie is a Movie", and Su Ji Sub's femininity and melancholy but with primitive impulse domineering, there is no extreme binary separation line. The stance is clear, although there is a hint of discussion about the so-called harmony between people brought about by the division of the country, but after all, it has not been able to make a better combination of the two, unlike "Welcome to Dongmo Village". "As warm and heroic, it is not as deep as the two brothers in black and white, and it is a little erratic. However, even so, it still conveys that under different political systems, under the general belief and trust in the country and organization, there is such a dislocation, torture and struggle between the two men.
One is the police of the intelligence bureau in a capitalist society based on principles and rules, the other is the spies based on the best interests of the state organization, they meet in the two extreme realities of killing and arresting people. pass. In the end, due to the coincidence of fate, they became cohabitants, the one under capitalism became a private detective who lived only for money, and the one who seemed to do everything became the defender of the weak. This is like an irony Comedy, two people who seem to be at odds with each other, just like those in the movie who gave up the gorgeous fighting scene and chose the normal fighting style, and attached a piece of humorous music, no matter how you look at it, it seems to be watching a paragraph, about The brotherhood between individuals has nothing to do with the so-called huge national system, but the essence of fighting has no discount, it is not half-baked, and this is also the minimum bottom line that a man should abide by.
There is basically no suspense in the storyline. The only thing to watch is how the brotherhood between the two men is laid out. It seems that the subject matter of this aspect is what the director likes, or what he wants to explore. Maybe he really wants to Know if the background of the characters and the environment in which they live are different, whether it will affect the so-called brotherhood. Furthermore, after expanding in this way, I also need to delve into it once, whether there really is an ordinary person like Fan Li who has successfully escaped from the human nature in a grid like the inseparable country Earth.
The ultimate thought is whether people can protect themselves and their families kindly, and when evil comes, they can still maintain a kindness, rather than a distorted personality, and then find a peaceful land for themselves and their families.
2010-5-8
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