to be you, forget to take me away. I had no choice but to use my sentimental heart to pay homage to those sparse years. Those growths that backfired have finally become unsatisfactory.
Time didn't wait for me
to be you, forget to take me away. In the middle of the night when the cherry blossoms are full of the roadside, the stars fall from the sky into the green grass, I stand in the loneliness of the vast universe, I am speechless, in the sky and the world, I don’t know who to talk to.
Time didn't wait for me
and you, forgot to take me away. So I used the unforgettable love to exchange the four seasons of Lingbo Weibu, so that I can be like you, safe and sound in the long years.
Time didn't wait for me
and you, forgot to take me away. Forget what I once said to me, and forget it under the Forgotten River.
That day, when you were watching me dance, you were sitting there upright, and when I saw your staring eyes, I would think in a trance that you never left in these intermittent times.
When I jumped at you after dancing a song, you said, "It's so beautiful to dance." I said, "Is it more beautiful than anyone else?" You said, "It's the kind of feeling that no one else has." I laughed and acted like a spoiled child Say: "That's because you love me."
This kind of dialogue, past and present, is so familiar.
Just like every time you parted, you always stood there and looked at me until I turned at the intersection and disappeared.
In this world, probably only you and Dingchun can use the same soul behind me to make me so peaceful.
I remember my favorite scene in "The love of Siam", two beautiful and clean teenagers, wearing white T-shirts lying on green sheets, in which, Tong asked Mew how the years were, and the director switched the camera to the wall On the top, light and shadow float, and two cute wooden dolls with round heads are sitting on the head of the bed. On the afternoon of April, I was sitting by the window and saw this shot. The wind blew the white veil, and in an instant, the breath of summer flowed in. The smell of lilac overflowed from the shot, reminding me of "Love Letter" Zhongbai Yuan Chong's looming figure under the white curtains seems to have the faint sentimentality of youth.
It was a discussion about loneliness, Mew said:
"When I was young, loneliness was because I didn't have friends; when I grew up, loneliness was more loneliness than no friends."
"I sometimes think that if we really love someone, we can accept it. Is this kind of thing? If one day, he dies, parting is a part of life. We all know, can we really let it go?"
"We really love a person and are not afraid of him leaving me. Go? Also, we have to accept that no matter where we are, the people we love are not around; so, it's lonely."
"I've been like this for five years."
"Why our world is like this, I don't know. What will the rest of our days be like."
We were drinking ginger ale, we were still talking about our beloved SP, and we couldn't forget Nara and Kao, but you told me that you will leave one day, we It will be difficult to meet again.
I also don't know why our world is like this. Why can't we be on the edge of a forest in New Zealand, listening to the sound of swans and strolling on the tides of the lake, living together, sleeping with a large group of animals, carefree and never apart.
Why, one day, we have to be someone else's bride?
FY said that I can never write emotional dramas because I don't even know loneliness.
I said, I am lonely, I live alone.
He said, you have not been with one person for a long time in love and life and then parted, that kind of loneliness is not the same. Just like when you watch a movie now, you will always only see the surface. Those real meanings can only be understood after you have those experiences in your life.
Maybe.
But I know I will be lonely without you.
In fact, this film has been discussed by many people from the perspective of gay films, but I think it focuses more on family ethics and the discussion of people's inner emotions. There are two clues in the film, one is the emotional development of Tong and Mew, and the other is the emotional development of Tong's family.
The shot is youthful and sweet in the emotions of Tong and Mew, just like the love song Mew sang to him, delicate, rich and pure.
When the camera is in Tong's house, it is always dark and gloomy, as if to symbolize a kind of pain. Sister Hong lost her way in the forest, her father vomited blood because she blamed herself for drinking alcohol all the time, and her mother firmly supported the overall situation but disciplined Tong sternly. No nose doll was found. Until the last girl who looks the same as Hong, using this family's habit - treasure game, such a romantic game, in such a gray family, finally connect those hidden loves together.
In the interlacing of the two main lines, there is one passage that touches me the most. In the film, Tong's mother said to Mew: "In the future, when Tong graduates, he will have a good job and a good income, then he will find a good girl, and then he will get married and have children. , take care of his parents, this is his future, Mew..."
Mew cried, he said, Aunt, we are just ordinary friends.
In many cases, Tong's mother has become a spokesperson for social standards and institutions, and she demands her own family and family as a person in a harmonious society. Even in the process, people feel the ruthlessness brought about by being too rational. But she is also poor.
Just like at Christmas, Tong asked her, Mom, are you tired?
In fact, most people in this world are living stupidly. They can't realize the true meaning of life, but they are collectively squirming in a certain trend and direction like every group.
Schopenhauer said: "In almost all our actions, our first consideration is what other people will say. Nearly half of the troubles in our lives are rooted in our worries in this area. Caused by excess."
Obeying the social rules and values defined by most people, and caring about how those fools see themselves, is this the so-called future?
I don't think Tong and Mew will be unhappy if they live together. At least at the end,
Tong said, "We can't be together, but that doesn't mean I don't love you."
Mew smiled, sweet and sad, and he said, "Thank you."
That smile was so clean and hilarious that he walked away with the people from his band again, waving at Tong as if they were meeting for the first time.
Who would believe that they were only unfortunate together?
Their feelings, just like that song, are sweet and delicate, without darkness, without famine, without the chilling atmosphere.
Just like you and me, you are as handsome as a young man, forever in my heart, time has not taken you away.
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