Author: Wood Sun_1782
Comments: Perfect
details (reproduced)
1. There is a pattern of a three-way road on the door of Tong's room, implying that he is faced with multiple choices. On the door of the room is a big tree, implying that his In fact, there is a deep-rooted friendship in the heart, and a picture on the bedside is a picture of the crucifixion of Jesus, which means that this relationship is destined to end in giving up.
2. In that childhood drama, TONG played a lost sheep, implying Tong's uncertainty about himself and the result that he must make sacrifices in the future. Mew's role seems to imply his purity and destiny Lonely.
3. Tong and Donut each ordered a cup of ice cream at the cold drink shop, but Tong and Mew shared a cup of ice cream when they were at the cold drink shop. The shot was really delicate.
4. When Tong's father woke up in the hospital, he saw a worm crawling out of the sugar water. In fact, it was a metaphor that he had struggled from the sinking in the past.
5. At the Party held for June, Tong's T-shirt was also carefully selected, and it said
"PLEASURE...PLEASURE
THE BEST
ENJOY WORLD
I AM DYING SET HIM
THE ENTERTAINED WITH SINGING AND DANCING IN JOYFUL."
Chinese meaning Probably
Happy...happy
Best
Enjoy the world
I'm obsessed with him
Happy singing and dancing
6. What happened when Dong stayed overnight at Mew's?
1. It's a bedside lamp. Everyone recalls that when Tong's sister disappeared when she was a child, she lived in Mew's house. That lamp was on Mew's side, but now it's on Tong's side. It means that Mew was Tong's light in the dark days when he was a child, and now Tong is the light that casts Mew in the lonely darkness.
2. There are two puppets sitting at the head of the bed. One black and one white, just like the two of them were doing it by the river when they were children. Tong understood Mew's mind, so he posted the message on the head of the little man representing Mew the next morning, and when Mew opened his eyes and saw that Tong was gone, his first reaction was to look up at that villain.
When Tong spent the night at Mew's house, when he woke up the next morning, Tong left a note for you, Mew, what was written on it?
In the film, it was translated as "I saw you sleep so soundly, I couldn't bear to wake you up", someone explained that the original meaning of the note was: "Last night I saw you sleep so soundly on my arm (which can also be understood as my arms), I can't bear to wake you up" That means Mew fell asleep in Tong's arms last night, Tong didn't dare to move, and watched Mew all night, so the next day Tong came home and fell asleep, while Mew didn't dare to move. I ran to the recording with great energy.
7. Mew's Twice Crying
In the movie, Mew cried twice, once before the feature film started, when Tong moved away, Mew didn't dare to face the parting, and later ran out and followed the car to wipe his tears. The second time was after Tong finally confessed to Mew, and Mew cried as he returned home and smiled and said thank you to the puppet. The first time he cried was because Mew realized his love for Tong and felt the pain of parting, so after Tong disappeared, he sat in front of grandpa's piano and tried to express his love with the sound of the piano. And the second time I cried was because Mew got Tong's love and left the moved tears. When Mew cried for the first time, he didn't dare to face the parting, but when he cried for the second time, he could smile and say "Take care" to Tong. This love has witnessed the growth of Mew, and the shocking power of echoes from beginning to end.
Eight, the action of the two pillows
1. The first act of hugging the pillow appeared after Tong's sister Dan went missing. Tong's mother sat on Dan's bed and hugged the pillow and cried bitterly to express her longing for Dan. The second pillow hug was after Tong left Mew's house. Mew woke up and found that Tong was gone. He hugged Tong's pillow and cried. He didn't know if he was crying, because here Mew turned his back to the camera. Even so, this The camera still gave people a lot of shock, because the first action of hugging the pillow made a good preparation, so at this time, Mew's deep thoughts for Tong were expressed in such a casual way.
9. Mew's knowingly asked whether
his grandfather died or not? The answer is death. At the beginning of the film, when grandma taught Mew to play the piano, a scene swept across the wall, and there was a portrait of grandfather hanging in the upper left corner. So Grandma and Mew both knew that Grandpa would not come back. So why does Mew live in the house by herself when grandma died? He is waiting for an emotion like a grandma, which means he is waiting for Tong, and waiting for Dan's return instead of Tong. Because when Mew was a child, Tong told him to wait for his sister to come back, and Mew also told Tong's words to his grandma. When Tong told Mew to move out, Mew's first reaction was: "Don't wait for your sister. Are you back?" Notice that Tong didn't answer at this time. So after Tong left, Mew kept waiting instead of Tong, and also waiting for Tong. When they reunited again, Tong asked, "Has she ever been back?" (note that Tong only used "she") and Mew suddenly stopped playing the piano and asked nervously, "Who?" Why didn't Tong not use it? my sister"? Because he knows it doesn't have to be said, and Mew really doesn't know who Tong is asking? Mew knew, what he wanted was Tong's confirmation, to make sure that he had been waiting for Tong's sister for so many years whether Tong understood, so when Tong replied: "my sister", Mew showed a relaxed expression, and in this After that, there was a faint smile on the corner of his mouth, but notice that he also did not answer. The two people's heart-to-heart is so delicately expressed.
10. Dialogue between Mew and Tong about Dan
At Mew's house, Tong seemed very excited and said, "If she comes back I must ask her...why did she leave us?" At this time, Mew stood up to comfort Tong and said, "It's not her fault." I understand why such a dialogue is arranged, and later found that these two sentences are really classic. "It's not her fault" seems to be talking about Tong's sister Dan, but it's actually for Tong, because Tong hasn't come back for many years after leaving Mew, Mew's words show that Mew's heart is actually He fully understands Tong, and he doesn't blame Tong. Just like Grandma can understand Grandpa's leaving, Mew can understand Grandma's leaving (don't forget, Grandma left Mew for days without telling Mew when she was taken to the doctor by Dad before she died), also, can't remember I remember at the beginning of the film, Miao was sitting at the door getting angry, resenting why Dad didn't take him away and left? So saying, "It's not her fault." It proves that Mew has really grown up, is tolerant, and can already understand the reason why his beloved left him, so later when Dong said that he couldn't be with him for the time being, Mew still turned around. He turned his head and winked mischievously at Tong, showing that he understood Tong.
Also, the phrase "it's not her fault" is a kind of tolerance, something that other characters in the film want to say but don't say, such as Tong's mother and father who have been in deep self-blame after Dan's disappearance, they think "It's not Dan's fault" (although Dan lost because she was disobedient); for example, Mew's euphemistically rejected Ying's love, and Ying is also very tolerant that "it's not Mew's fault", on the contrary, she wholeheartedly Help Mew and Tong come together; for example, after Zhun runs away from home, her parents must think "this is not Zhun's fault", so she can finally return to a home that can accommodate her; for example, when Miao leaves the band After that, his good friends have always thought that "it's not Mew's fault", but they have been reviewing why they didn't find out that Mew had become like this earlier? There are many more, the audience can think for themselves... This simple line interprets the greatness of love, tolerance and understanding in the growth process in place. The reason why many feelings are touching is because of this dark thread.
11. Tong's two phone calls
There are two phone calls, the scene is the same, the first time is to call Dunut, ask Dunut to have dinner, but Dunut did not answer. The second time I called Mew in the same scene, after Tong's mother talked to Mew, there was also no answer. The two calls before and after were different, and the reasons for not answering the phone were also different. Dunut was angry (the reason was that Tong said he wanted to buy a puppet's nose for his friend), and Mew was afraid of affecting Tong's future life. Two loves In stark contrast, the former is narrow and the latter is selfless.
12. Dong Tong's home is Mew's family
. This place is also very delicate. Everyone pay attention, when Tong's father smashed the frame (because there was no Dan in the frame), Tong found out, but Tong didn't clean it up, just walked away silently, because at this time Tong didn't realize what his mother did to him. Deep love, he still doesn't know how to share housework for his mother, which is in contrast to his initiative to help his mother hang the Christmas tree later, remember? Tong walked to the Christmas tree and asked, "Mom, are you tired?" But mom didn't know what he was referring to. It was the first time that Tong had grown up.
Speaking of Mew, Mew has deep feelings for Tong's parents, and he even regards Tong's house as his own. When Tong thought of letting Zhun come to impersonate his sister (I always wondered if Mew came up with this idea), Mew also participated in the conversation between his mother and Zhun, which shows that Mew did not regard himself as an outsider, but took responsibility for the Tong family. Responsibility. More important is yet to come: Where did Mew go when they came to see Tong's dad with a promise? Ever notice a bunch of empty wine bottles in front of the camera? Yes, Mew was sitting at the door clearing the bottles, and when he heard Daddy call out Dan's name, Mew hurried over. After dinner, Mew lowered his head and secretly hid himself in the warmth of the family. Mew smiled rarely and happily. This family atmosphere was extravagant to him. And what happened next? Mew came home and found that his shoes were buckled (Ying did it according to the love book), he didn't do it himself, but asked the street sweeper to help him reverse it. It can be seen how much Mew values the Tong family. He completely regards himself as a Tong family member. The Tong family affairs are much more important than his own affairs. This feeling goes beyond love, friendship, and family. Wasn't there a scene later that Mew said to Tong with relief: "Your family is back to normal now"?
13. Mew's solo trip
is when Mew and Zhun came to Tong's house and went back after dinner. There is a scene where Mew walked to the door of his house very disappointed after getting off the taxi. It was a contrast to the happy snicker he had just snickered at the Tong's table. Tong's affection is something Mew has never experienced since he was a child, and it is also what he looks forward to. And as I said above, Tong's home is actually Mew's spiritual belonging as a family after his grandmother's death. I understand this shot may be trying to express this meaning.
14. About the transformation of Tong
In fact, Tong has always been confused. His growth process is a process of constantly identifying himself. Mew is relatively simple. As mentioned above, Mew should have felt his love for Tong when Tong moved out, and the process of clearly confirming that Mew is gay is only through a sentence from Ying's brother (played by the director). Then, he said everyone knew that Mew was gay. The funny thing is that the fat director just said this line, but it is crucial. After he said this sentence, the focus of all the contradictions turned to Tong, right? (Director Fat also has a line that was recited through Ying, that is, "where there is love, there is hope", the director is the director~~~)
I don't think it's valid to say that Mew "seduced" Tong, because before they met again, Tong was already Not interested in Dunut anymore, and seeing Mew again he felt his love, but he was not sure, let alone facing the pressure of family and friends. (It's better than Mew, as if the people in their band knew what they wanted) And Mew's singing at the party completely touched Tong. Later, when he was forcibly separated from Mew, Tong was lost. He started not going home at night, drinking with friends all night, and Tong's mother also began to reflect at this time (the crying scene with Zhun is very classic). I think at this time, Tong has already determined that he does not love Dunut but Mew, but because of Mew's gender, he is not sure if he is gay and dare not face it, so when his friend asked directly, he was very happy. Irritability (smoking), very annoyed. And hugging Ying tightly is to prove to Ying, but also to test whether he is right or not. But the result of the test is probably that Tong doesn't feel it. This was supposed to be a turning point, and since then Tong has identified his sexuality and actually took the opportunity to come out in front of his friends. This problem is solved, and Tong is no longer overwhelmed. Because there is Mew's definite love over there, and he also loves Mew, the remaining problem is to settle the relationship between family responsibilities and love. So Tong came home very relaxed, and he started to help his mother with the housework and take care of his father. By the time he made his statement in front of the Christmas tree, Tong had already considered it very mature. If you observe carefully, you can see that before the Christmas tree scene, Tong's eyes were always confused, but after he chose the male puppet, his eyes were full of Firm and confident.
15. What did you say to your father at the hospital bed?
Dad was relieved after being discharged from the hospital. He walked up to the hospital bed and said, "Dad, listen to me..." What did Zhun say? Later, Zhun asked his mother again, "Is it really useful for us to lie to him like this?" Later, after he was discharged from the hospital, his father and mother hugged tightly, and his father said, "I know it all, I know it all...", and then Tong came back to talk to his mother. When my mother hugged, I saw my father. My father was lying flat on the bed very relaxed. Notice that he was lying on his side and curled up on the bed before. This action shows that my father is completely relaxed.
16. Three progressions of the theme
1. The first time the theme appeared was to borrow Mew's inner monologue, which actually raised a question for people to think about: "If you really love someone, can you accept his departure? Can we really be relieved? Can we live without love?” In fact, the questions are all around the pain that love brings to people. The pain of parting is because of love, and the loneliness is also because of love. This is the reverse side of the coin.
2. The second theme development is "As long as there is love, there must be hope". In fact, it answers the above question, because there is love, which supports us to live, and love brings us hope. This is the obverse of the coin.
3. The last time was the letter left by QuanZi's departure. The director gave a complete answer in QuanZi's tone, that is - love enables us to support each other and live, but love sometimes brings us pain , we will be wrong because of love, but even so, it is better than no love. Life has given us many opportunities. Fan Guo's mistakes can be corrected, we can meet again after parting, and everything can start anew because of love.
OK, what's the ending? Having said that, it should be clear, yes, Mew and Tong are still together in the end, of course, maybe not in the form of lovers.
Seventeen, music explanation theme
Parents who have time may wish to listen to several theme songs of the film together and look at the lyrics. From "Ticket" at the beginning, to the monologue at Tong's house party (I think it can be regarded as Mew's inner monologue) "Only You", and then "Do You Feel" when Tong and Mew separated , to the "Peering" when Tong ran to Mew at the end. You will faintly find that these songs have become a dark line in the film, outlining the emotional trajectory of the protagonist.
18. From Ying's holding hands to Ying's letting go,
many people were very emotional about the scene when Ying let go, but they ignored Ying's holding hands. When Dunut texted Tong to ask him to meet for Christmas, Tong didn't know what to do and asked Ying, Ying said "Tong decides for himself", and then stood up and held Tong's hand. When I first watched the 150-minute version, I didn't quite understand it, because it was deleted so much later that some people mistakenly thought that Ying might be with Tong later after watching the 150-minute version.
In fact, when I looked down, I found that Ying bought Tong the nose of the puppet, and they had a conversation. Ying came out and said, "Bring Tong as a Christmas present" (note that Tong didn't tell Ying that he bought it for Mew), Tong asked: "Mew won't run away?" Ying replied: "He won't run away again. (This question and answer should refer to the scene where Mew took the initiative to avoid Tong at the corner of the street last time.) After that, Tong asked Ying: "Why do you want to help me like this?" Ying said: "It's for Mew"
The above part is abridged.
And then, as we all know, let go. OK, from holding hands to letting go, Ying personally sent Tong to Mew's side, and it was also Ying who helped Tong finish the final journey. Then Ying came to the rooftop crying, and her friend asked her, "Where's Tong?" She said meaningfully, "Go home."
Nineteen, Dunut's ending
is also in the 186 version. After Dunut broke up with Tong, he went back to Find Tong's friends to spend Christmas with. The director is really thoughtful enough. I still feel sorry for Dunut. I was dumped at Christmas, but it seems that Dunut has also found a love that belongs to her (I can't say whether it is true love, but at least it has a home). When passing the puppet shop, Dunut glanced at the puppet with no nose, her expression was meaningful, I think she understood at that moment, maybe she was relieved.
20. Why did Mew not play "Acacia Acacia A Thousand Miles of Bright Moon" later on?
At first I was wondering, isn't Mew playing well all the time? Didn't you play it to Tong when you were at home? Then why won't it play? In the 186 version, there is a scene where Mew is asked to play a tune to Grandma before she dies, but Mew can't play it. As soon as these two plots are connected, I understand, because the beloved is no longer, the hope is shattered, the emotional sustenance is gone, the heart is numb, and the melody can't be remembered, so Ying said later, "If there is love, there will be Hope" has rekindled hope for Mew. If you look at it this way, the story is even more shocking.
Twenty-one, the most speechless answer
This is also a scene in the 186 version. Finally, Dunut found Tong and asked him: "Have you ever thought of apologizing to me?", Dong replied: "I have more important things to think about." This answer is too choking, Tong does have more important things to think about, and that is the question of what to do with him and Mew. This is in stark contrast to the child who is only obedient to Dunut at the beginning of the film. Tong has grown up.
22. It can be said for sure that Tong went to Mew that night, not Dunut. If you
watch the film carefully, you will find that Dunut’s Christmas meeting is at 6:30 pm, while Mew’s performance poster is at 8 pm , and later when Tong arrived, Dunut also said, "You're late again." This means that Tong's plan was to go to the show to find Mew, because Mew has been avoiding him. In fact, Tong wasn't sure if he wanted to see Dunut before, maybe because of Dunut's repeated short haircuts, Tong decided that he should just cut it off.
23. Mew left the band twice
This detail is more clearly seen in the full version, that is, after Mew disappeared on the night of the recording, Zhun and the band members had a conversation with Mew, and Zhun said, "I understand your feelings, but you have to bear some responsibilities." The band The two buddies also did Mew's work, and finally Mew asked, "How many days until the Christmas performance?" Here Mew figured out that he had to take responsibility, so he returned to the band, but he didn't sing (the lead singer changed to Xiao Chuan) ), he was sitting beside the drum kit, I think he was really not in the mood to sing, maybe just to help rehearsal. But then Mew left again. It was written on the band's theme board that Mew violated discipline and was deprived of the lead singer qualification. In the scene at this time, only Xiao Chuan was singing, and everyone else was sitting there in a daze. So the plot should be that after Mew returned to the band for the first time, he still couldn't get out of his grief and left again, and the members of the band could not delay the performance and deeply care about Mew. So when Mew came back for the second time, the band welcomed the "absolute lead singer" with music.
In the 150th and 170th editions, the cuts were a bit messy. When we completed the plot, Mew's image became more full. He hesitated between love and responsibility several times, constantly conquering himself, while the band The members' sincere friendship, tolerance and understanding towards him were also expressed, and everyone grew up together.
Twenty-four, when Mew received Tong's gift,
I don't know if it was a deliberate little gesture by the director: Tong handed Mew the puppet's nose, and when Mew received it, his thumb was on Tong's thumb, but Tong's thumb immediately slipped away. Then, Tong's hand slowly moved out of the camera, leaving only Mew's hand to maintain the movement of receiving the gift at the beginning, and the puppet's nose was fixed in the frame. Mew's thumb is slightly sideways, as if he is still nostalgic for the warmth left by Tong...
Feeling: Characters are a point of view, an attitude
Every character in the play represents a point of view and attitude towards love. Everyone is growing up in constant thinking.
In the end, Tong figured out, the important thing is that he loves Mew, it doesn't matter if Mew is male or female;
Mom figured it out, the important thing is that Tong has grown up, he will choose his own path, and as for him It doesn't matter which way you choose;
Dad figured it out, the important thing is to cherish the existing love around you, and it doesn't matter whether Dan can come back;
I must have figured out that the most important thing in life is to have true love, but it doesn't matter whether you can go abroad to make a lot of money ;
Ying figured it out, the important thing is that Mew finally got his true love, and he also got the love of Tong and Mew beyond friendship and love. As for whether he can stay with Mew for a long time, it doesn't matter. ;
The members of the band figured it out, the important thing is that Mew opened his heart and returned to them, it doesn't matter if he is gay or not;
Tong's buddies may also figure it out, the important thing is that Tong can It doesn't matter who Tong is with;
Mew must have figured it out in the end, the important thing is that he got Tong's true love and sees Tong's love for him. Love has put in effort and commitment, it doesn't matter if Tong can be his boyfriend or not;
I hope Dunut can finally figure out that love is giving, not taking.
The audience should also understand that this is a comedy, not a tragedy, not because of the plot, but because we grew up with it.
One last point: this director is very rude
When 186 minutes was cut into 150 minutes and released in theaters, many plots became paradoxical. As a result, the film caused a lot of discussion, and it also made the director's own MV sell very well, but more importantly, , mainstream survivors will think this is an "orthodox" "error correction" film. Many people can use the superficial plot to do various "interpretations" for the purpose of "education", so that the film can be green-lighted for distribution. In fact, they are wrong. As long as we think about a lot of content, we will find that our first feeling often cannot stand up to scrutiny. Just to name one example, is Mew's homosexual orientation unknown? no. From what Brother Ying said, we deduced that the neighbors knew it for a long time; from the subtle performance of school classmates and band members, we realized that everyone knew it, and that Mew likes Tong, the band members not only know it, but also knowledge. OK, so how is Mew doing? The neighbors still smile at him, he can still make a band in the school, and he is a soul, and he can still get accurate understanding, blessings and help from the band brothers in the process of pursuing Tong. What about Tong? In fact, his friends had already discovered that he had no feelings for Dunut (but he was a school girl). Later, he didn't go home because of Mew and his mother, and his friends took him in because he accidentally asked: "Are you? Not GAY" and annoyed Tong, several friends blamed each other, and Tong finally got not only Ying's selfless help, but also his mother's deep understanding. We can experience a kind of warm warmth and friendly tolerance. Is it not? Everyone has the right to love and the right to pursue love. As long as his feelings are sincere and pure, they should be respected and protected.
Another reason for the director's lack of humiliation is that this film is enough to make us Chinese feel ashamed. "A Thousand Miles of Love in the Moon" is our music, but why can't we interpret it so well? When we said in our hearts "when will China make such a good movie", we seem to have gotten the answer - "no way". Because the Chinese have long since lost this innocence and such pure emotion. Think about what kind of movies we all grew up watching. It is full of the law of the jungle, deceit and tricks, intrigue, worldly sensibilities, and later the worldliness of money and the ugliness of sex. From the revolutionary war films I watched as a child, to historical films, to current youth dramas, to blockbusters like Lust, Caution, isn't that the case? So our people are "smart" and "deep", but lack the most simple feelings. So yesterday I joked with my friends: "If I were a teacher, I must organize my students to watch Siam." There is only one reason - watching children who grew up in Siam and watching "The Golden Armor of the City" grow up children must be different.
View more about Rak haeng Siam reviews
