"Although sometimes loving too much can seem to hurt the other person, trust that over time, we'll all understand that we can never give too much love. Because even if love makes us do something stupid, It's better than having no love and never giving for love. Isn't it?" The words were interspersed and revealed in the singing of the performance, a parallel montage. On the one hand, MIU returned to the stage and looked at the two people who loved him deeply. On one side is Mom's cupboard at home, potted plants, and Christmas trees looking for letters. These words are revealed in the clips and music, without any rush, peeling off layer by layer until they touch the deepest emotions.
This is JUNE's last gift to the TONG family, not to accompany him on Christmas Eve, because she is not the real TANG after all, and the substitute can only relieve it for a while. Although Dad's memory has been destroyed by years of alcoholism and mental depression, But emotions can't be deceived. No matter how similar JUNE and TANG are, and no matter how real the "memories" woven by JUNE are, the real emotions in their bones cannot be acquiesced. So the kind-hearted and strong JUNE left, and also used the "treasure hunt game" for their father to help them truly accept, get to know, and be together.
So when the father finally began to admit the reality that his daughter TANG had been missing for many years, he hugged his mother and said, "I understand, I understand." At that moment, did we also understand.
Love, go with. this proposition.
Can communion, or a dilemma?
After the performance, on the street, Tong stopped Miu who was with his companions, and the companions left first, leaving only the clean teenagers with the appropriate distance between each other.
"Meu"
"What's wrong, tong"
"The song is very nice"
"After listening to it?"
"ER, I... I may not be able to be your lover"
(Miu's smile faded, but he lifted his eyes to rekindle his radiance, and continued the broken hope.) The young man named Miu is really smart and subtle. Between this low eyebrow and raising his eyes, it was fleeting, and he showed his actions. His tolerant understanding of love is also an emotional return and the breaking of the cocoon of spirit and flesh into a butterfly.
So the boy named Miu is absolutely deserving the phrase
"But that doesn't mean I don't love you."
"Thank you."
But what makes me sad is that Miu's love song goes like this:
"If you walk along the way, if Life is a beautiful melody, you are the most moving lyrics, and you will always be with each other..."
Sometimes I think, whether it is movies or music, most of the art forms are the expression of desire in the quietest place of the human heart. And that must be a dream. Miu uses such a moving metaphor to sing the indescribable love and the 'eternal companionship' in his heart. In reality, facing Tong, not only thought of what Aunt Suinee said to him, but more of understanding and love for more people. He has tolerated it all with a smile and gratitude. I think this is the best ending.
Love and walking, they actually do not constitute a proposition at all, because they are probably two different things. "I can't be your lover, but that doesn't mean I don't love you." The words are cruel and true, but also heartbreakingly beautiful. Sometimes, the subject you love belongs not only to you, but to all those who love him. You can't interrupt or block others because of your love. That's not love, but selfishness.
Love is fulfillment and respect.
The young man named Miu knew at such a young age that even though his love songs were sad, his future life is expected to be very good.
The end: To every love
that is given to us in life To every love that is given to us in life.
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