In all kinds of stories, the agreement between the hero and heroine is always so warm and easy. I often wonder, if they can't arrive at the stipulated time due to some unavoidable accident, can they still meet?
This doubt was answered in the movie "Tomorrow's Me and Yesterday's You Date". No matter how many difficulties and obstacles there are on the way to each other, we will always gasp and rejoice, fortunately, we can meet you. "Tomorrow's Me and Yesterday's You Date" is a Japanese pure love film.
It tells the story of Nanshan Takashou (played by Sota Fushi), who is studying at the University of Fine Arts in Kyoto. One day in the early morning light, he fell in love at first sight with Aimi Fukushou (played by Komatsu Nana), whom he met on the train, so he made a bet with himself: "If you get off at the same stop, Just go ahead and talk."
Seemingly destined, the two exchanged information embarrassingly and bluntly. At this time, Amy's sudden tears and a whispered "see you tomorrow" opened the prelude to the whole film.
Since the man has the intention of being in love with a concubine, then meeting for the second time, going on a date to watch a movie, and tentatively confessing, these are all logical things. It's just that it all goes so smoothly, Amy and Gao Shou seem to be tailor-made for each other, and every moment together is natural and unnatural.
Amy said that she loved to cry.
So it was the first time we met, held hands for the first time, cleaned up for Gao Shou for the first time, and hugged each other for the first time. Almost every first time, Amy burst into tears.
In front of the screen, I thought she was an extremely vulnerable heroine, and Gao Shou on the screen thought she was a girl with strange tears, so we didn't take it to heart. I have to say that Komatsu Nana's own bewildered face is very immersive in these bright moments. Amy frowned and smiled, lowered her head and shed tears, as if she wanted to tell her unspeakable secrets.
Soon, Gao Shou was also confused. Why did Amy know that she would put chocolate in the beef stew to enhance the taste, and why did Amy know that her paintings would be posted for exhibition when they met for the second time.
Gao Shou said with a smile that Amy seems to have the ability to predict.
Unexpectedly, but received a serious answer. If I really have the ability to predict, what will you do?
Gao Shou looked at Aimei's eyes and was stunned.
If you have the ability to predict, I will think you are very powerful. After a while, he said so.
Once, Gao Shou picked up the notebook left by Amy, and the beginning recorded: (March 16 is my first day)) (For Gao Shou, it is the last day). Gao Shou looked up at the clock, it was March 1st.
When Gao Shou was confused, Amy decided to confess to him what she had been hiding.
Amy came from a parallel world, and the two grew up on opposite trajectories. Every five years, the two can only be close to each other for 30 days. Five years and five years later, Amy and Gao Shou, who have been running in parallel, are close to each other but cannot love each other. Only 20 years old, Gao Shou and Amy are only 20 years old, in these 30 days, they are destined lovers.
When the two get along, the timeline of each day is correct, but once zero o'clock, Gao Shou will become more and more unfamiliar to Aimei, obviously 100% love will also return to zero, and start from scratch. pass. So Amy said that twelve o'clock was her access control, like Cinderella, when the bell rang, there were sounds of broken dreams floating around.
For every first time for Gao Shou, Aimi clearly knew that it was the last time that she could not return.
After Gao Shou learned everything, he collapsed.
The so-called chance encounter is the so-called match made in heaven. The girl she loves has been slowly approaching her according to the past she told her. Yesterday's love and beauty seemed to be non-existent and was slowly emptied. At every staggered moment, he moved forward and she went backward, and time kept walking, so they couldn't stop and hug each other.
Amy is like a moth to a fire, knowing that she can't turn back and nostalgic, she also looks forward to her past as the first occurrence.
She is not a fragile heroine, nor is she a girl with strange tears. She bravely looked forward to meeting her boy, even if it was only a short thirty days in her memory.
Understanding such a painful longevity, he is determined to hold Amy's hand firmly, even if he spends it according to the recorded content, as long as he is with Amy, it will be a good day. How to go next?
Be happy, we must be fiercely happy, so that we can miss each other for the rest of our lives.
I have always preferred this type of film. I watched "Tomorrow's Me and Yesterday's You" because I was obsessed with Komatsu Nana's face and temperament, and I heard that director Miki Takahiro has meticulous consideration for the style of Kyoto, making every frame of this film beautiful Very fresh and beautiful.
So, before I watched it, I had a superficial thought that since it was pure love, I should sigh with emotion, "Ah, this is love!" Unexpectedly, in the last scene of the movie, I shed tears.
With expectation and anxiety, the girl stepped on the tram heading for the beginning of the story, followed the swaying carriage carefully, and then fixed it. Before the boy turned around, he hurriedly took out the notebook from his bag and pretended to be reading it carefully. She bathed in the bright morning light and raised the corners of her mouth slightly.
At that moment, I saw Aimi's figure reflected in Gao Shou's pupils.
At that moment, I heard Amy let out a sigh of relief and said, "I finally... come to him."
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