Hong Sang-soo in my eyes: the camera that is pulled back and forth, and the close-up of the face that is pushed back and forth; the actor can be a cultural worker if he is not a director or a writer, and if he can say, he does not have to be a pompous person, but he is good at impressing you with false sincerity. The type of person; the heroines are very artistic, good-looking, with sincere smiles, smart, and a little melancholy in their eyes when they are quiet; both of them love to drink, the tavern is a must scene, the hero and heroine must be a little small The feeling of ambiguity, men want to have sex with women, and women are half-assed; in the end, most of them are an accidental encounter, and there will never be another, an imperfect ending that ends abruptly.
Every time I watch Hong Sang Soo's movies, I always think that this guy is just filming his own thing? If it's not because he usually has nothing to do, anyway, the actor of his movie always feels his shadow, and then we all accompany him in the movie.
Such a director is in Korea, right? He can still win awards when he shoots mv for himself every day, and there are people who invest in it. Thinking about it, he is really lucky. Otherwise, come to our Celestial Dynasty to try it out. If a movie doesn't make money at the box office, the investors will be able to scold you for it. I still want to author a movie, don’t be delusional, it must cater to the audience’s taste, it must be down-to-earth, and there must be little fresh meat in it. It's useless to say anything, all you see is big data!
So now people in China who write books, paint, take pictures, sing, and perform dramas can all come to make movies. why? Because there is big data, don't care whether you know the language of the movie or how bad the story is, as long as you find a good star, the box office will be indispensable! How many of the seemingly thriving film circles are works that can stand the precipitation of time, and how many are bubbles blown by data. The fifth generation and the sixth generation are also not exempt from the custom. Who cares about the artistic ethics of the film, where will the lower part of the film go without the box office.
Not to mention domestic, back to the film itself. When a sultry director met a female green tea, the little eyes of the two immediately turned on the throbbing little beast, and they approached each other ambiguous.
The man said, Miss, I think you are so beautiful, your face looks like a flower, and my heart is drunk.
The woman said, "Brother, what are you saying, how embarrassed you are, where are your eyes looking?"
The man said, big sister, stop pretending, you are drooling, let's find a place to be happy!
The woman said, Big Brother, you are not bad, your eyeballs are about to fall off, alright, alright, I will listen to you!
What a lewd story of two people in rural Northeast turned comedy. Of course, the director is not as vulgar and vulgar as me.
He used a restrained and repressed way to express an accidental encounter between a man and a woman, and then he restrained and repressed and told the story again from the beginning.
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