From two points of view.
One: I can't help laughing when I see some pictures and hear some lines. For example, the male protagonist praises the female protagonist in a small restaurant for being beautiful, her eyes are so charming, and he says he likes you so much. Ambiguous words, why do you find it interesting? Maybe it is because I have had this kind of mood and atmosphere before, and I may not be able to find the corresponding exact experience for a while, and I haven't even said it, but it is indeed like that. feel.
The plot is very flat, there is no turbulent conflict, the protagonist has been babbling from the beginning, saying some meaningless words, but perhaps it is this kind of casualness that slowly brings his own small emotions into this kind of floating. In the erratic conversation, it was a man and a woman again, like a layer of gauze, an inexplicable vague feeling, until the dimly lit narrow space of the small restaurant finally had some ambiguous feelings. At the same time, the words also bring us into the throbbing of the past, which I think is one of the great charms of this movie.
Two: Appropriate restraint, let us have expectations.
The first kind of restraint, of course, is that the male protagonist and the female protagonist are at odds in the two stories. Although the male protagonist lost the battle in the second paragraph, the previous foreshadowing is similar. Although the male protagonist has some bold and ambiguous words, there is almost no physical communication between the two, including in the second paragraph when the male protagonist puts a ring on the female protagonist in the small restaurant, he does not even hold the female protagonist's hand more. Later, on the way, the heroine said it was cold, and the hero didn't do anything. I think these are the points we look forward to, but the director's proper restraint makes our hearts so itchy. Especially at the door of the heroine's house, she asked the hero to kiss the hero twice when she waited for her to come out again, one was not enough, and two more times, and said that she would kiss her on the mouth later. This will be alright, I finally see some sparks. In fact, everyone knows it well, but the feeling is very good, but nothing happened after that. The male protagonist left after a while, and the weather was very cold.
The second kind of restraint, the camera almost always falls on the image of the male protagonist, there is almost no frontal shot of the female protagonist, and the male protagonist keeps saying that the female protagonist is beautiful and beautiful, which will undoubtedly arouse the curiosity of the audience, but the director is Don't let us see. Maybe the girls will have another feeling?
However, restraint is indeed a mystery and an art. The so-called detachment is the most beautiful.
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